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A & M Octet: New Roots
by Jack Bowers
At its best, the Toronto-based A&M (Adema & Manoukas) Octet brings to mind similar ensembles from the heyday of West Coast Jazz, superlative eight-member groups led by the likes of Dave Pell and Lennie Niehaus, among others; luckily for listerners, A&M is at its best most of the way on its debut recording, New Roots, performing ...
Doug Webb: The Message
by David A. Orthmann
The trappings of The Message, tenor saxophonist Doug Webb's eleventh release for Posi-Tone Records, are perhaps recognizable to anyone with an interest in jazz conventions. All hands, except for drummer Charles Ruggiero, contribute at least one composition. While some are more adventurous (tenor saxophonist Bob Reynolds' “Where Did You Come From?," and alto saxophonist Greg Osby's ...
Meet Liam Sutcliffe, Jimmy Waltman, Sam AuBuchon, Derick Freitas Campos
by Sanford Josephson
The winners of the New Jersey Jazz Society's new Juried Scholarship Competition are:$1,000 prize for PerformanceTrumpeter Liam Sutcliffe, Rutgers' Mason Gross School of the Arts Jazz Studies Program$1,000 prize for Composition Vocalist Jimmy Waltman, Princeton University Program in Jazz Studies$500 prize for Performance Bassist Sam AuBuchon, William Paterson University Jazz ...
Bennie Maupin & Adam Rudolph: Symphonic Tone Poem For Brother Yusef
by Chris May
Had the multi-reed player Yusef Lateef still been alive in 2020, he would have been celebrating his 100th birthday. Sadly, Lateef passed seven years earlier. But 93 years is a good span for a jazz musician, especially one of Lateef's generation, who came of age in time to cut his professional teeth in swing bands.
African Cookbook, A Vocal Tangent, A Dizzy Atmosphere
by David Brown
This week, South African jazz artists to African sounds in jazz, a vocal tangent, and finally, a Dizzy atmosphere. Playlist Thelonious Monk “Epistrophy (Theme)" from Live At The It Club (Complete) (Columbia) 00:15 Somi “House of the Rising Sun" from Zenzile: The Reimagination of Miriam Makeba (Salon Africana) 01:50 Nduduzo Makhathini “Amathongo" from In ...
Migiwa Miyajima: The Colorful Journey Into Jazz
by Jane Kozhevnikova
Migiwa “Miggy" Miyajima is a Japanese, New York-based composer, producer, and pianist. As a producer, she has received multiple Grammy nominations. Her list of awards includes the 2021 Lower Manhattan Cultural Council (LMCC) Creative Engagement grant and Restart NY grant, 2020 New York City's NYC Women's Fund For Media, Music, and Theatre grant, 2020-2021 Asian American ...
Steve Kaldestad: Live at Frankie's Jazz Club
by Jack Bowers
On his fourth album for Cellar Music, western Canada-based tenor saxophonist Steve Kaldestad plays “Con Alma." He also plays con alma--in English, “with soul"—not only on Dizzy Gillespie's paean to human life's animating principle but throughout a more than hour-long concert at Frankie's Jazz Club in Vancouver, wherein he leads an exemplary quartet whose members are ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
Richie Cole & Danilo Pérez
by Joe Dimino
We celebrate our 750th Episode of Neon Jazz with master pianist & humanitarian Danilo Perez. Following that, we hear from his mentor Dizzy Gillespie. As the show moves one, we listen to some great new music from jazz veterans in Jorge Garcia, Mark Buselli with the Ball State University Jazz Band, Brent Laidler and Kevin G ...
George Freeman: Everybody Say Yeah!
by Mark Corroto
It took a long time (much too long) for listeners to recognize the brilliance that was Chicago saxophonist Fred Anderson. The New York-centric jazz cognoscenti have often overlooked talent that comes from Chicago, and artists were often drawn to The Big Apple to seek the recognition they deserved. Beginning in the '90s, though, the focal point ...
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