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New Releases Plus A Centennial Birthday Shoutout For Guitarist Mary Osborne
by Mary Foster Conklin
This broadcast opens with a centennial salute to guitarist Mary Osborne. Born in North Dakota, she came to prominence in New York City in the 1940s appearing with jazz greats Dizzy Gillespie, Art Tatum, Coleman Hawkins, Thelonious Monk and Mary Lou Williams. Also presented are new releases from vocalists Samara Joy, Hilary Kole and violinist Diane ...
Richard Brent Turner on Islam, Jazz and Black Liberation
by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, ...
Pasqua, Erskine, and Oles: The Art of the Jazz Trio
by Jim Worsley
"We've known each other and have been playing together for fifty years now," was proudly, if even more sentimentally, reminisced by pianist Alan Pasqua in reference to drummer Peter Erskine to an intimate and appreciative audience at Sam First in Los Angeles during a recent performance. Bassist Darek Oleszkiewicz, who has been part of the mix ...
Top Ten Kennedy Center Musical Moments
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb: “I hate jazz." If you choose to engage them, the key is to tread lightly and tailor an approach that considers their tastes and sensibilities. This So You Don't Like Jazz column explores ways ...
Dino Piana: un altro giro di Blues
by Paolo Marra
A 91 anni Dino Piana ha ancora voglia di suonare come quando da bambino lo faceva con un pezzo di legno sullo scalino di casa--"non potrei stare un giorno senza suonare, starei male perché ho bisogno di esprimermi" così ci dice il trombonista piemontese nell'intervista che abbiamo realizzato in occasione dell'uscita del suo nuovo disco Al ...
The Modern Jazz Quartet: From Residency To Legacy
by Kyle Simpler
There are plenty of fictional stories about utopian societies where life is good and everybody gets along. Of course, the word utopia literally means “no place," suggesting that an actual utopia is nothing more than an illusion, but that hasn't stopped people from trying. Although there are many utopian societies that didn't work, there are a ...
Erroll Garner: 100th Birthday Anniversary Of The Immortal Swinging Maestro Of Jazz Piano
by Doug Hall
The hundredth birthday of the legendary and brilliant virtuoso Erroll Garner is being marked by tributes including The Erroll Garner Project, which has released additional recordings and a remastering of existing recordings by the swing maestro of jazz piano. His popularity as an in-demand international performer and his landmark record Concert by the Sea (Columbia, 1955) ...
My Conversation with Tom Harrell
by AAJ Staff
We rummaged through our extensive pre-database archive and discovered a May 1999 interview with Tom Harrell, who celebrated his 75th birthday this past week. We published two other interviews with Tom: November 2003 and May 2009. AAJ: Do you recall when you were first exposed to jazz? TH: Well, I was fortunate ...
The MPS Records legacy resumes with vinyl releases of Ella Fitzgerald’s 'Sunshine Of Your Love' and Freddie Hubbard’s'The Hub of Hubbard'
Jazz history was forged in the rustic Black Forest of Germany in 1968 when Hans Georg Brunner-Schwer launched MPS Records and recorded some of the genre’s seminal artists. Legends like Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson, Dexter Gordon, Freddie Hubbard, The Count Basie Orchestra and George Duke released albums on the prestigious label known for its ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
