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373

Article: Take Five With...

Take Five With Benjamin Drazen

Read "Take Five With Benjamin Drazen" reviewed by AAJ Staff


Meet Benjamin Drazen: Benjamin Drazen is a native New Yorker, and grew up in Roslyn, NY. He got his frist great jazz saxophone education from the late great Dave Burns. (Dave was a master trumpeter with the Dizzy Gillespie and Duke Ellington Orchestras as well as leading his own groups) A graduate of the ...

132

Article: Live Review

Gerald Clayton Trio: Cologne, Germany, May 15, 2011

Read "Gerald Clayton Trio: Cologne, Germany, May 15, 2011" reviewed by Phillip Woolever


Gerald Clayton Trio Altes Pfandhaus Cologne, Germany May 15, 2011 The heralded, emerging Gerald Clayton and his current crew opened their European tour on a beautiful night in a beautiful, jazz specific venue, splitting well-spent time between Bond :The Paris Sessions (Emarcy, 2011), some finely retouched classics, and the pianist's ...

181

Article: Live Review

Dave Liebman Group at Café Paradiso

Read "Dave Liebman Group at Café Paradiso" reviewed by John Kelman


Dave Liebman Group Café Paradiso Ottawa, Canada May 20-21, 2011 When saxophonist and recent NEA Jazz Master Dave Liebman brought his longstanding group to Ottawa's Café Paradiso a little over three years ago in April, 2008, it was truly one of the hottest, most memorable shows this city has seen in ...

95

Article: Live Review

Louis Hayes Quartet: San Diego CA, May 10, 2011

Read "Louis Hayes Quartet: San Diego CA, May 10, 2011" reviewed by Robert Bush


Louis Hayes Quartet Saville Theatre, San Diego City College San Diego, CAMay 10, 2011 Jazz legend Louis Hayes, a significant progenitor of modern percussion since the early 1950s, visited San Diego's Saville Theatre on May 10, and, with an elite group of local musicians, delivered a blistering set of post-bop, ...

165

Article: Take Five With...

Take Five With Dave Schiff

Read "Take Five With Dave Schiff" reviewed by AAJ Staff


Meet Dave Schiff:Dave Schiff, a 20 year veteran of the Navy Band Jazz Ensemble “The Commodores," is a powerful and versatile woodwind jazz instrumentalist who has traveled the world working with top entertainers and jazz legends such as Thad Jones/Mel Lewis Orchestra, Don Menza, and Dizzy Gillespie.Smooth jazz, straight ahead, funk... you ...

158

Article: Album Review

Daniel Smith: Bassoon Goes Latin Jazz!

Read "Bassoon Goes Latin Jazz!" reviewed by Nicholas F. Mondello


It's about that sound--that down there, frog-like bellowing encountered on cartoon soundtracks, novelty TV commercials, and that marvelously masculine sound heard in the greatest of orchestral and chamber music repertoire. Rarely is the bassoon heard blowing improvisation in the jazz idiom, athough with the works of Daniel Smith, Paul Hanson and others, that's changing.

175

Article: Album Review

Daniel Smith: Bassoon Goes Latin Jazz!

Read "Bassoon Goes Latin Jazz!" reviewed by Dan Bilawsky


The bassoon seems to be the homebody of the orchestral woodwind family. This double-reed dynamo rarely leaves the confines of the classical world, instead finding contentment in its comfort zone, playing classic works of yore. On the rare occasion that the instrument does wander outside of its safety net to converse in other musical environments, it ...

95

News: Recording

Stefon Harris, David Sánchez And Christian Scott Go The Distance On Collaborative Recording "Ninety Miles"

Stefon Harris, David Sánchez And Christian Scott Go The Distance On Collaborative Recording "Ninety Miles"

Special 2-Disc CD/DVD Package, Ninety Miles, unites North American, Puerto Rican and Cuban jazz artists and will be released June 21, 2011 All distance is relative, especially where geopolitical borders and ideologies are involved. We speak one language, they speak another. We follow our system, they follow theirs. When we focus on the differences, a relatively ...

125

Article: Album Review

Marty Nau Group: Mood Ebony

Read "Mood Ebony" reviewed by Greg Simmons


An all-clarinet album is a rare thing in jazz these days. The B-flat clarinet has an old-fashioned sound, ubiquitous in the early days of jazz, but gradually replaced by the bigger, deeper, and often more aggressive reed sound of the saxophones. Early New Orleans bands at the birth of the form almost always featured the “stick," ...

400

Article: Interview

Chick Corea: Creative Giant

Read "Chick Corea: Creative Giant" reviewed by Esther Berlanga-Ryan


Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...


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