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Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
A Swingin' Affair
Label: Blue Note
Released: 2017
Track listing: Soy Califa; Don't Explain; You Stepped Out Of A Dream; The Backbone; Until The Real Thing Comes Along; McSplivens;
Max Zenger: Chapter 2
by Sacha O'Grady
From its inception more than a century ago, jazz has taken a long, strange and twisted journey. From folk-art to more avant-garde adventures, jazz has never sat in the same place for too long, like a sort of free spirit in search of the infinite. Throughout that journey, at least since the 1940's, a time when ...
Videos: Oscar Peterson Live
Oscar Peterson was an exceptional jazz pianist, especially in front of a live audience. His rousing playing style and robust sense of swing swept up everyone in a concert hall. My favorite live period for Peterson is from the late 1950s to the late 1960s. Here are three recently posted videos from this era: Here's Peterson ...
Sam Taylor: Along The Way
by Jack Bowers
On almost half of the nine tracks on Along the Way, tenor saxophonist Sam Taylor's close-knit quartet is actually a quintet thanks to the emphatic presence of the renowned Philadelphia-based tenor, Larry McKenna. Taylor's impressive visitor, two months shy of his eightieth birthday when the album was recorded in May 2017, keeps on playing with the ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Leo Richardson Quartet: The Chase
by Roger Farbey
An alumnus of London's Trinity College of Music, tenor saxophonist Leo Richardson, who incidentally is the son of bassist Jim Richardson (formerly of the jazz rock band If), graduated from the College with a first class honours degree in Jazz Performance. Whilst studying at Trinity he was tutored by some world class players including Jean Toussaint, ...
A dialogo con Roberto Ottaviano
by Neri Pollastri
Poliedrico quanto a collaborazioni ed esplorazioni di aree stilistiche, sempre rigorosissimo nel modo di affrontare qualsiasi situazione musicale, ritenuto dalla critica uno dei maggiori interpreti del sassofono jazz in Europa, Roberto Ottaviano è prossimo a compiere sessant'anni, essendo nato a Bari nel dicembre del '57. E lo fa presentando un ennesimo lavoro di altissimo livello, altro ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
University of the Arts “Z” Big Band: Jumpin’ at the Monterey Jazz Festival
by Victor L. Schermer
Umiversity of the Arts “Z" Big Band Monterey Jazz Festival Monterey, CA September 17, 2017 [This article is a follow-up to the review of the “Z" Band Reception and Kickoff Concert in Philadelphia on September 7. If you want to know a little more about the band, ...
