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7

Article: Multiple Reviews

Nate Wooley Makes America Great Again

Read "Nate Wooley Makes America Great Again" reviewed by Mark Corroto


In his excellent book of literary and cultural criticism, The Grey Album: On the Blackness of Blackness, Kevin Young describes the term Jazz as both a noun and a verb. He further explains that jazz from the time of its origins through, let's say the 1980s, was a word used to describe action. Such as the ...

7

Article: Album Review

The Scrambling Ex: The Scrambling Ex

Read "The Scrambling Ex" reviewed by Dave Wayne


Deftly juggling twisted harmonic sequences, free improvised passages, sweet and simple jazz melodies, and stop-on-a-dime rhythmic convolutions, The Scrambling Ex nods at all sorts of musical reference points without aping anyone in particular. An equal collaboration between multi- reed player Peter Van Huffel, guitarist Andreas Willers, and percussionist Oliver Steidle (who's since been replaced by the ...

1

Article: Lyrics

I 10 Cd nel CD-Player di... Simon Jermyn

Read "I 10 Cd nel CD-Player di... Simon Jermyn" reviewed by Vincenzo Roggero


01. Deantoni Parks -Technoself (Stones Throw Records -2015). One man band, suona batteria e sampler insieme, tutto dal vivo! 02. Devin Gray-Relative Resonance (Skirl Records -2015). Composizioni intricate e complesse di Devin Gray supportato da una incredibile band newyorchese. 03. Sufjan Stevens -Carrie and Lowell (Asmathic Kitty Records ...

Album

RelativE ResonancE

Label: Skirl Records
Released: 2015
Track listing: City Nothing City; In The Cut; Notester; Jungle Design (for Hannah Shaw); Transatlantic Transitions; Undo The Redo; Relative Resonance (for Tad Dameron); Search It Up.

Article: Take Five With...

Devin Gray e il Questionario di Proust

Read "Devin Gray e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. Devin Gray: L'improvvisazione. AAJ: La qualità che desidero nei musicisti che suonano con me. D.G.: La consapevolezza. AAJ: Come musicista, il momento in cui sono stato più felice. D.G.: Quando sento che il pubblico sta ...

Article: Album Review

Devin Gray: RelativE ResonancE

Read "RelativE ResonancE" reviewed by Vincenzo Roggero


Con Relative Resonance Devin Gray si conferma batterista e band leader di assoluto valore, in grado di mettere in campo una scrittura a più dimensioni, ricca di suggestioni, e di allestire band di alto profilo grazie a musicisti innovativi e dalla mente aperta. Il disco presenta musica complessa, nervosa, irregolare. A volte scontrosa. Nessun evidente filo ...

4

Article: Album Review

RelativE ResonancE: RelativE ResonancE

Read "RelativE ResonancE" reviewed by Dave Wayne


The music of drummer and composer Devin Gray traverses terrains that will be familiar to those who've investigated artists such as Tyshawn Sorey and Steve Lehman. As complex and highly structured as Gray's music can be, there's a palpable human warmth throughout Relative Resonance which makes the music--in spite of its ultra-busy, highly demanding nature--kind of ...

2

Article: Album Review

RelativE ResonancE: RelativE ResonancE

Read "RelativE ResonancE" reviewed by Budd Kopman


With RelativE ResonancE, composer and drummer Devin Gray has staked out new, exciting and different territory than that explored in his highly acclaimed previous album, Dirigo Rataplan. Whereas the earlier band (saxophonist Ellery Eskelin, trumpeter Dave Ballou and bassist Michael Formanek) emphasized improvisation within group and compositional boundaries, the music for the new group ...

7

Song of the Day

City Nothing City

Album:
By
Label: Skirl Records
Released: 2015
Duration: 3:04

3

Article: Album Review

Elias Stemeseder / Devin Gray / Anna Webber: Jagged Spheres

Read "Jagged Spheres" reviewed by Mark Corroto


The collective trio of Elias Stemeseder, Devin Gray, and Anna Webber ask you to separate the composed elements from the improvised on their debut release Jagged Spheres. The three soon-to-breakout players opt for a musical salmagundi here, filling their plates with minimalist improvisation, noisy thrashings, and organically grown interactions in this chamber jazz presentation.


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