Results for "Denardo Coleman"

Denardo Coleman

Born in Los Angeles, California, in 1956, Denardo Coleman began playing drums at the age of six. His first appearance on record was on his father's 1966 album The Empty Foxhole, with Charlie Haden on bass. Haden said of Denardo's playing on that recording: "He’s going to startle every drummer who hears him." Denardo also featured on his father's later releases, including Ornette at 12 (1968) and Crisis (1969), and played as a member of Ornette's Prime Time ensemble in the 1970s. He also worked with his mother in the band The Firespitters, and has played with Geri Allen, Pat Metheny, James Blood Ulmer, and Jamaaladeen Tacuma. Coleman has also done extensive work as a producer, including on albums by both of his parents.

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

By CHRIS MAY

Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.

Dave Bryant: Night Visitors

By DAN MCCLENAGHAN

Free jazz pioneer Ornette Coleman didn't record much with piano players. Exceptions were Geri Allen on Sound Museum: Three Women and Sound Museum: Hidden Man, released simultaneously in 1996 on Harmolodic / Verve, and Dave Bryant on Tone Dialing (Harmolodic / Verve, 1995), during Coleman's Prime Time days.Bryant's immersion in Coleman's sound—he has conducted ...

Strata-East: Seizing the Time

By CHRIS MAY

Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...

Poetry and Jazz: A Chronology

By DUNCAN HEINING

My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

Rich Halley/Carson Halley: The Wild

By MARK SULLIVAN

Saxophonist Rich Halley has released twenty recordings as a leader, many of them with his son Carson Halley on drums. The two have been playing as a duo for almost twenty years, working on totally improvised music together. Halley's ensemble approach is characterized by a seamless blend of composition and improvisation, but here the pair spontaneously ...

Rich Halley/Carson Halley: The Wild

By DAN MCCLENAGHAN

Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...

2015: The Year in Jazz

By KEN FRANCKLING

The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...

Rich Halley 4: The Wisdom of Rocks

By DAN MCCLENAGHAN

jny: Portland, Oregon, based saxophonist Rich Halley calls his 2014 quartet outing The Wisdom of Rocks, and on the disc' opener, “The Atoll," he blusters out of a two horn intro--with trombonist Michael Vlatkovich--into a tenor sax solo that sounds as if its roaring from some dark cavern, up out of the bedrock from its origins ...