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257

Article: Album Review

Harold Ousley: Grit-Gittin' Feelin'

Read "Grit-Gittin' Feelin'" reviewed by Derek Taylor


Chicago has long been the land of the larger than life jazz tenors. Boasting a lineage that stretches back generations the Windy City has birthed some of the music’s most venerated big-toned saxophonists. Clifford Jordan, Gene Ammons, Von Freeman, Fred Anderson and Eric Alexander are but a handful of the names belonging to this fraternity of ...

266

Article: Album Review

Chicago Underground Trio: Flamethrower

Read "Flamethrower" reviewed by AAJ Staff


For the Chicago Underground Trio, anything goes. On Flamethrower, swinging jazz wanders in and out of an otherwise very free field. The opening track, for example, starts with a six-note bass groove. Jeff Parker steps in for a crisp, swinging guitar solo, then the ensemble gradually travels into free jazz territory. Punchy clusters replace clean lines, ...

163

Article: Album Review

Kevin O'Donnell's Quality Six: Control Freak

Read "Control Freak" reviewed by Derek Taylor


The neo-Swing resurgence advanced by such colorfully-plumaged groups as the Squirrel Nut Zippers and Cherry Poppin’ Daddies may have fizzled in the last few months, but the Quality Six continue to solider on. There debut record for Delmark Heretic Blues showcased a band whose eclecticism and musicianship stood them shoulders above the competition. Rather than simply ...

213

Article: Album Review

Kahil El'Zabar's Ritual Trio: Africa N'da Blues

Read "Africa N'da Blues" reviewed by Derek Taylor


On this, their fifth album for Delmark, the Ritual Trio sticks to the formula that has served them well on past outings for the label, that of welcoming a legendary guest star into the fold. This time around Pharoah Sanders occupies the guest chair and his presence affects a wonderful series of alchemical changes both in ...

153

Article: Album Review

Chicago Underground Trio: Flamethrower

Read "Flamethrower" reviewed by Derek Taylor


‘Chicago Underground’ is an overarching appellation for a myriad of projects under Rob Mazurek’s nominal leadership. Its various guises include Duo, Trio and Orchestra incarnations. Peripheral to these associations Mazurek and his partners also work together in a variety of other outfits including Isotope 217 and Tortoise. All of these groups demonstrate a penchant for electro-acoustic ...

388

Article: Album Review

Kahil El'Zabar's Ritual Trio featuring Pharoah Sanders: Africa N'da Blues

Read "Africa N'da Blues" reviewed by AAJ Staff


The aptly titled Africa N'da Blues is the Ritual Trio's fourth outing on Delmark. Most of the record explores the uniquely Afro-American space between African percussion and the '60s free jazz revolution. El'Zabar's group appears equally at home playing straight-ahead standards like “Autumn Leaves" or post-Coltrane material like the title track, but it really seems to ...

382

Article: Album Review

Muhal Richard Abrams: Things To Come From Those Now Gone

Read "Things To Come From Those Now Gone" reviewed by Derek Taylor


Muhal Richard Abrams is the grand patriarch of the AACM. He set-up shop on the ground floor as a co-founder of the Association in 1965 and has since served as one of the guiding forces behind its direction and longevity. Things To Come From Those Now Gone was Abrams third album for Delmark. It’s the last ...

101

Article: Album Review

Robert Ward: New Role Soul

Read "New Role Soul" reviewed by Ed Kopp


Robert Ward set an awfully high benchmark with his 1990 release Fear No Evil, a comeback album now considered a classic. New Role Soul is the work of a somewhat mellower man who remains an incredible musician at age 64. Propelled by the leader’s intricate guitar playing and animated vocals, this CD sounds better with each ...

146

Article: Album Review

Maurice McIntyre: Humility In the Light of Creator

Read "Humility In the Light of Creator" reviewed by Derek Taylor


When it comes to notoriety and recognition the lineage of the AACM is a strange one. Some of the Association’s pioneering members, such as those in the Art Ensemble of Chicago, have garnered lasting and consistent acclaim. Others like Fred Anderson and Maurice McIntyre who were equally important to the collective’s development fell into obscurity for ...

291

Article: Album Review

Anthony Braxton: For Alto

Read "For Alto" reviewed by Derek Taylor


Like any other sub-genre in jazz music free jazz is marked by a timeline of precedent setting events. Many of these moments inevitably center on recordings: Cecil Taylor’s Jazz Advance, Ornette Coleman’s Free Jazz, John Coltrane’s Ascension, Albert Ayler’s Spiritual Unity. In the case of the AACM two recordings by members of the association’s roster are ...


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