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Pittsburgh JazzLive International Festival 2017
by C. Andrew Hovan
Pittsburgh JazzLive International Festival 2017 Pittsburgh, PA June 16-18, 2017 The complicated logistics and sizable costs associated with free jazz festivals have made them somewhat rarified these days. By its all-encompassing scope and scale, the Detroit Jazz Festival has served as a model for many decades now. But if you want something ...
Texas Jazz Crooner Ken Slavin Makes Don’t Tell Mama Debut With Acclaimed Saloon Show, “Shaken, Not Stirred”
The number-one male jazz singer in the home of the Alamo makes his Don’t Tell Mama debut during Tony Award Weekend with “Shaken, Not Stirred – With A Tony Twist!” Slavin’s first engagement at the legendary cabaret at 343 W. 46th Street in the heart of the Theater District will feature two shows: Friday, June 9 ...
L'ultimo hipster. La vita e la musica di Mark Murphy
by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
David Finck: The Bass, Scatting Offenses, and the Back Hoe
by Dr. Judith Schlesinger
David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...
John Patitucci: Irmãos De Fé
by Karl Ackermann
Newvelle Records, the New York based, vinyl-only subscription label, was launched by jazz pianist by Elan Mehler and Parisian, Jean-Christophe Morisseau in 2016. With a high-end, boutique collection that has included digitally recorded, 180g pressings for Frank Kimbrough, Noah Preminger and Jack DeJohnette, the label opens its second season with the iconoclastic bassist, and multiple Grammy ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
Jazz Education: The Next Generation, Part 2
by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
Notable and Nearly Missed 2016
by C. Michael Bailey
It is impossible, even for John Kelman, Mark Corroto, and Dan Bilawsky, to cover all the music worthy of discussion in a given year. At least that is my line and I am sticking to it as I pen my “Notable and Nearly Missed 2016" column. Rick Gallagher--Christmas Tidings: A Collection of Jazz Christmas ...
David Wise: Till They Lay Me Down
by Roger Farbey
Saxophonist David Wise studied under the venerable Gary Bartz but has seemingly been listening to the likes of the later oeuvre of George Benson and maybe some David Sanborn too. No bad thing and the result is this self-produced debut album comprising predominantly self-penned compositions. The album is fairly diverse inasmuch as not all ...
For Your Grammy Consideration - Dean Brown's "ROLAJAFUFU"
Contemporary Instrumental Album: ROLAJAFUFU Best Improvised Jazz Solo: “PHILLY MAN" Best Instrumental Arrangement: “AND SO IT GOES" Best Instrumental Composition: “OLD SOLDIERS" Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader. The title ...
