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242

Article: Live Review

The Aubrey Anne Duo at Wine in the Woods

Read "The Aubrey Anne Duo at Wine in the Woods" reviewed by David A. Orthmann


The Aubrey Anne Duo Wine in the Woods West Milford, NJ September 9, 2007 Wine in the Woods is one of a number of Northern New Jersey locales which hosts The Aubrey Anne Duo on a semi-regular basis. The familiarity between artist and venue gave this Sunday afternoon performance an ...

1,040

Article: Rhythm In Every Guise

A Tribute To Max Roach

Read "A Tribute To Max Roach" reviewed by David A. Orthmann


Introduction I can't recall the reason why I picked Percussion Bitter Sweet out of a record store bin in the mid-sixties. It was one of the first recordings I ever purchased. Apart from Max's brilliant drumming and knotty yet accessible compositions, it served as an introduction to iconic musicians like Eric Dolphy, Booker Little, Clifford Jordan, ...

175

Article: Live Review

CBIII Band at Cecil's Jazz Club

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CBIII Band Cecil's Jazz Club West Orange, NJ August 17, 2007 Two drum kits were set up at the front of the stage prior to the CB III Band's first set at Cecil's Jazz Club. Though the configuration was in keeping with an evening billed as “The Father, Son, and ...

150

Article: Live Review

Julius Tolentino Quartet at Cecil's Jazz Club

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Julius Tolentino Quartet Cecil's Jazz Club West Orange, NJ June 22, 2007 A number of teenagers formed a semicircle around the bandstand during alto saxophonist Julius Tolentino's opening set at Cecil's Jazz Club, one anxiously fingering his horn in anticipation of sitting in. Only a decade or so older than ...

130

Article: Live Review

Steve Davis Quintet at Cecil's Jazz Club

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Steve Davis Quintet Cecil's Jazz Club West Orange, NJ June 15, 2007 The first of Steve Davis's seven recordings as a leader for the Criss Cross Jazz imprint, entitled The Jaunt, refers to the 110 mile trip from the trombonist's longtime base in Hartford, CT to the jazz Mecca, New ...

192

Article: Album Review

The Jeremy Siskind Trio: Prophecy

Read "Prophecy" reviewed by David A. Orthmann


Jeremy Siskind is a twenty-one year old pianist and composer currently studying at the Eastman School of Music in Rochester, NY. The self-produced Prophecy was recorded several months after a March 2006 appearance on Piano Jazz, Marian McPartland's long running National Public Radio program. Siskind's nascent style is situated in the jazz mainstream, exhibiting traces of ...

542

Article: Rhythm In Every Guise

Dan Weiss on David Binney's Criss Cross Recordings

Read "Dan Weiss on David Binney's Criss Cross Recordings" reviewed by David A. Orthmann


Dan Weiss's drumming makes an indispensable contribution to a pair of recent recordings by alto saxophonist David Binney, Bastion of Sanity (2005) and Cities and Desire (2006), both on the Criss Cross Jazz imprint. Binney's idiosyncratic compositions draw from a variety of jazz and popular music styles. The topography of his music often includes the slow, ...

182

Article: Live Review

Stein Brothers Quintet at Trumpets in Montclair, New Jersey

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Stein Brothers Quintet Trumpets Jazz Club and Restaurant Montclair, New Jersey April 22, 2007 For the past few years the Stein Brothers have been refining a bebop-oriented ensemble sound in a variety of Northern New Jersey venues. Saxophonists Alex and Asher Stein are as enthusiastic in playing for a noisy ...

352

Article: Extended Analysis

Grant Stewart: In The Still Of The Night

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Grant Stewart In The Still Of The Night Sharp Nine Records 2007 Soloing on the title track of In The Still Of The Night, tenor saxophonist Grant Stewart plays scads of notes over a rhythm section traveling at warp speed. But while his stamina and ability ...

303

Article: Live Review

Greg Abate Quartet at The Puffin Cultural Forum

Read "Greg Abate Quartet at The Puffin Cultural Forum" reviewed by David A. Orthmann


Greg Abate Quartet The Puffin Cultural Forum Teaneck, NJ January 27, 2007 “Bird never played one note of bullshit, Barry Harris once said about Charlie Parker. Harris' salty aphorism came to mind at the conclusion of Greg Abate's incendiary performance at the Puffin Cultural Forum. Although he's a stylistic descendent ...


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