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Article: Album Review

Shauli Einav Quartet: Beam Me Up

Read "Beam Me Up" reviewed by Dave Wayne


Beam Me Up is Shauli Einav's fifth album as a leader, but his first as a new father. This is worth mentioning because jazz is, as we all know, something that is lived. How could such a momentous change not manifest itself in one's music? Here, it's quite evident though nothing about the album itself speaks ...

7

Article: Album Review

Linus + Skarbø / Leroux: Linus + Skarbø / Leroux

Read "Linus + Skarbø / Leroux" reviewed by Dave Wayne


In the seven years since its inception, El Negocito Records, based in Ghent, Belgium, has established itself as one of the most adventurous and far-ranging independent labels on the European new music scene. The phrase “new music" is operative here because the label concentrates on improvisation in all of its musical guises. There are modern jazz ...

8

Article: Album Review

Rich Brown: Abeng

Read "Abeng" reviewed by Dave Wayne


In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...

6

Article: Album Review

Kodama Trio: Kodama Trio

Read "Kodama Trio" reviewed by Dave Wayne


Funny how groups come together. The Kodama Trio, resident in Santa Fe, New Mexico, is comprised of three individuals from completely different backgrounds and completely different parts of the country. Pianist Robert Muller, originally from Portland, OR, has spent time in New York City and Copenhagen. A former student of Andrew Hill at Portland State University, ...

9

Article: Album Review

Allison Au Quartet: Forest Grove

Read "Forest Grove" reviewed by Dave Wayne


The sheer number of great young jazz musicians coming out of every corner of the world is simply staggering. Allison Au is an alto saxophonist from Toronto, Ontario, Canada whose debut album, The Sky Was Pale Blue, Then Grey (Self-Produced, 2014) was nominated for a Juno Award: Canada's equivalent of a Grammy nomination. Her new album, ...

7

Article: Album Review

The Scrambling Ex: The Scrambling Ex

Read "The Scrambling Ex" reviewed by Dave Wayne


Deftly juggling twisted harmonic sequences, free improvised passages, sweet and simple jazz melodies, and stop-on-a-dime rhythmic convolutions, The Scrambling Ex nods at all sorts of musical reference points without aping anyone in particular. An equal collaboration between multi- reed player Peter Van Huffel, guitarist Andreas Willers, and percussionist Oliver Steidle (who's since been replaced by the ...

6

Article: Album Review

Plunge: In For The Out

Read "In For The Out" reviewed by Dave Wayne


Trombonist Mark McGrain is one of those guys who follows his own muse. Though he's not particularly prolific, each of his albums as a leader feature some truly profound music-making. In for the Out is no exception. On his fourth album as a leader, McGrain has re-invented himself, playing with an expanded New Orleans-based group and ...

15

Article: Album Review

Brända broar: Röjer På Vinden

Read "Röjer På Vinden" reviewed by Dave Wayne


After gigging around their native Sweden for a few years, Brända Broar (Burnt Bridges) have finally issued their first album, Röjer På Vinden on Anders Ahlén's tiny Signal and Sound label. An EP-length vinyl-only audiophile quality 45-rpm album limited to 300 copies, Röjer På Vinden (literally “Delays in the Attic") is another powerful musical statement from ...

8

Article: Album Review

Dave Bryant: The Garden of Equilibria

Read "The Garden of Equilibria" reviewed by Dave Wayne


As one of the few keyboardists to perform and record with Ornette Coleman on a consistent basis, Dave Bryant stands alongside the likes of Geri Allen and Paul Bley. Yet, Bryant is not nearly as well-known. A Berklee graduate who studied privately with Coleman starting in 1983, Bryant's first appearance on record was with the trio ...

4

Article: Album Review

Donald Rubinstein: Martin

Read "Martin" reviewed by Dave Wayne


Jazz doesn't typically play a huge role in horror film soundtracks. Sure, there are exceptions. Jazz guitarist Joseph LoDuca scored Sam Raimi's adaptation of Stephen King's The Evil Dead. Giorgio Gaslini's collaboration with the prog-rock group Goblin on Dario Argento's Suspiria certainly has some jazz-related elements, as does the work of Krzysztof Komeda (Rosemary's Baby), Bruno ...


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