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David Liebman / Mike Murley: Day and Night
by Budd Kopman
Day and Night is a smoking live set featuring saxophonists Dave Liebman and Mike Murley, supported by bassist Jim Vivian and drummer Ian Froman, with pianist Jeff Johnston guesting on the fiery closer, John Coltrane's “India." Recorded for CBC Radio [Canadian Broadcasting Corporation] during the 2003 Atlantic Jazz Festival in Halifax, Nova Scotia, it was released ...
Mosaic Select 32: Pendulum Live at the Village Vanguard
by John Kelman
These days a collection of artists--no matter how strong--getting together for a largely standards-based date is often treated with some suspicion. With so many jazz recordings being released every month revolving around an increasingly well-heeled (but, nevertheless, still important) repertoire from The Great American Songbook or legacy jazz artists like pianist Thelonious Monk and saxophonists John ...
Saxophone Summit: Joe Lovano, Dave Liebman, Ravi Coltrane: Seraphic Light
by Woodrow Wilkins
When three prominent saxophone players come together to honor one of their highly regarded brethren, and include compositions by one of the most revered instrumentalists ever, the listener is in for a treat. So it is with Seraphic Light by Saxophone Summit, led by the trio of Ravi Coltrane, Joe Lovano and Dave Liebman.
David Liebman & Ellery Eskelin: Renewal
by Troy Collins
Renewal is the brilliant follow-up to Different But The Same (Hatology, 2003), the debut of saxophonists Dave Liebman and Ellery Eskelin's co-led quartet. Initially perceived as a curious pairing, with Liebman the conservative elder to Eskelin's liberal youth, the two tenors actually share numerous aesthetic similarities, including an affinity for both inside and outside playing. Although ...
Saxophone Summit: Joe Lovano, Dave Liebman, Ravi Coltrane: Seraphic Light
by John Kelman
Formed in the mid-1990s by three of jazz's leading post-Coltrane exponents--not just to pay homage to the saxophone legend's exploratory latter period work, but to advance his collaborative and collective soloing aesthetic into a fully contemporary context nearly thirty years after his death--Saxophone Summit was dealt a tremendous blow, as was the entire jazz world, when ...
David Liebman & Ellery Eskelin: Renewal
by Chris May
When saxophonists Dave Liebman and Ellery Eskelin got together to make Different But The Same (Hatology, 2003), it seemed a strange partnership--Liebman, the Jedi master of structure and changes, and Eskelin, best known for gutsy free improv. But the album title proved to have been well chosen, and the two players showed that a lot more ...
Dave Liebman Group, Ottawa, Canada, April 24, 2008
by John Kelman
Dave Liebman Group Cafe Paradiso Ottawa, Canada April 24, 2008 Aside from the annual TD Canada Trust Ottawa International Jazz Festival, it's rare that Ottawans get to experience a group that has, for many years, successfully brought together a lifetime's worth of experience into a sound encompassing all ...
David Liebman-Ellery Eskelin Quartet: "Renewal" on Hatology 654
David Liebman & Ellery Eskelin -tenor saxophones,Tony Marino -double bass and Jim Black -drums: Renewal on Hatology 654 Also available Hatology 615: Different But The Same There is a common understanding that we all share of freedom and spontaneity framed within underlying structures accompanied by a loving nod to the jazz legacy. The compositions heard on ...
Saxophonist David Liebman and Pianist Jim Ridl Discuss The Creative Process in Jazz at AAJ
Unlike most other art forms, jazz creativity emerges directly in performance through improvisation. Every jazz performance is unique and comes together in real time while it is being played. Each moment is an original contribution, and not merely an interpretation. It is clear that some musicians push the envelope more than others. They take necessary risks ...
David Liebman /Jim Ridl: The Creative Process in Jazz
by Victor L. Schermer
The idea for this interview came to me when I became aware of two aspects of jazz as a creative, artistic process. First, unlike most other art forms, jazz creativity emerges directly in performance through improvisation. Every jazz performance is unique and comes together in real time while it is being played. Each moment is an ...
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