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11th Annual Brubeck Festival to Explore Communities
Dave Brubeck created community both on and off-stage from the moment he began performing. Trios, quartets, octets and even orchestras and choirs became vehicles for Dave's music. Off-stage he and Iola worked to bring groups out of the clubs, onto college campuses and into concert halls. As momentum grew so did the community until Brubeck sounds ...
Dave Brubeck Quartet: Their Last Time Out 1967
by AAJ Italy Staff
26 dicembre 1967. È una data storica, che segna l'ultimo concerto di un quartetto tra i più popolari di tutto il jazz. Più che un concerto, è un viaggio a ritroso nella memoria musicale di una formazione che ha attraversato imperiosamente la scena musicale americana tra gli anni '50 e '60. Si è detto già ogni ...
Joe Lovano: Inimitable Streams of Expression
by Angela Davis
Penned as one of the greatest musicians in jazz history," saxophonist Joe Lovano has successfully created a unique voice within the jazz tradition and has contributed significantly to the continuance and development of the idiom.In just over a quarter of a century he has created an expansive body of work that has covered a ...
All About Jazz Announces New Column Featuring Archival Intervews with Jazz Greats
All About Jazz is pleased to announce that Bob Kenselaar has joined our growing international team of contributing writers. In addition to new live coverage, and interviews like his recent Catching Up With Monty Alexander, Bob has obtained permission to reprint a series of interviews that he contributed to The Aquarian Weekly in the 1970s with ...
Jim Manley: Brass Poison Too
by Nicholas F. Mondello
Trumpet players who dwell in the altissimo range of the instrument face multiple dilemmas: they must maneuver the purely physical demands of playing in that extreme register (challenging), perform impeccably (difficult) and display musical grace and ease in doing so (incredibly difficult). Complicating matters, there are always the ghosts of Maynard Ferguson, Bill Chase and others ...
Chris Brubeck's Triple Play: Live at Arthur Zankel Music Center
by C. Michael Bailey
When considering something as seriously artistic as jazz, it is often overlooked that said music is to be enjoyed as well as appreciated. The key operative in enjoy is joy, and multi- instrumentalist Chris Brubeck and his merry band Tripleplay are obviously full of it. Live at Arthur Zankel Music Center was recorded at Skidmore College ...
DC Jazz Festival Receives NEA Jazz Masters Live Grant
The DC Jazz Festival (DCJF) today announced that it has been awarded a National Endowment for the Arts (NEA) Jazz Masters Live grant for the fifth year. The DCJF was one of 12 non-profits selected to receive a total of $135,000 in funding. NEA Jazz Masters Live grants help bring legendary musicians, writers, producers and scholars ...
Sony Music's Popmarket.com Releases Complete Albums Collections By Jazz Masters Stanley Clarke & George Duke
Stanley ClarkeThe Complete 1970s Epic Albums Collection and The George Duke BandThe Complete 1970s Epic Albums Collection Both titles available for pre-order at Popmarket.com in advance of January 24, 2012, release date The Ultimate Jazz Festival continues as Sony Music's PopMarket.com presents Complete Albums Collections from the Epic Records archives by two of the greatest names ...
BAM or JAZZ: Why It Matters
by Greg Thomas
Since the last Race and Jazz column, the first of a multi-part discussion with John Gennari--the top scholar on the history of jazz criticism--a firestorm of controversy has arisen surrounding Nicholas Payton's declaration that, to him, the word jazz is dead. He also feels that the word jazz is tantamount to or worse than the n" ...
2011: The Year In Jazz
by Ken Franckling
The ebb and flow of jazz in 2011 was marked by a Grammy Awards coup, a Grammy dustup, economic changes that consolidated the recording industry a bit, impacted clubs in various locales, and provided some new opportunities. The U.S. Postal Service literally put its stamp on jazz, even as the government wrestled with the future of ...





