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ARTICLE: ALBUM REVIEW

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala

Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

ARTICLE: ALBUM REVIEW

Dave Rempis/ Darren Johnston / Larry Ochs: Empty Castles

Read "Empty Castles" reviewed by Mark Corroto

The trio Spectral might best be examined in the aviary of your local zoo. Trumpeter Darren Johnstonand saxophonists Dave Rempis and Larry Ochs are like three different bird species, but share the same genus. Their “song" is built from the unique coop in which they find themselves. The music on “Empty Castles," their third ...

ARTICLE: ALBUM REVIEW

Electric Squeezebox Orchestra: The Falling Dream

Read "The Falling Dream" reviewed by Jack Bowers

No, the San Francisco-based Electric Squeezebox Orchestra does not come with accordions attached. It does, however, come with a well-developed eye for harmony and rhythm, an inflexible group dynamic and a number of perceptive soloists, all of which serve to make the ensemble's second album, The Falling Dream, a pleasure to hear. The ...

Shipwreck 4

Label: NoBusiness Records
Released: 2016
Track listing: The Storm We See, The Sea We Saw; Counted Like Flies; When Not Night; Everything's Coming Up Rosaly; Boom; The Face Consented, At Last.

ARTICLE: ALBUM REVIEW

Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4

Read "Shipwreck 4" reviewed by Glenn Astarita

Chicago-based session ace and solo artist, drummer Frank Rosaly aligns with San Francisco Bay Area notables for a meeting of like-minded, highly skilled improvisers. After a gig in Frisco, the musicians' scheduled time to record this quartet date. Unfortunately, Shipwreck studios was destroyed in a fire a few months after this session and the musicians decided ...

ARTICLE: ALBUM REVIEW

Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4

Read "Shipwreck 4" reviewed by John Sharpe

Named after the Oakland studio where the disc was recorded, the Shipwreck 4 brings together three West Coast improvisers with Chicago drummer Frank Rosaly for a program of six collectively created selections. As apparent on Everybody's Somebody's Nobody (Clean Feed, 2016), his duet with guitarist Fred Frith, trumpeter Darren Johnston's work maintains a melodic core, albeit ...

ARTICLE: ALBUM REVIEW

Dave Rempis/Joshua Abrams/Avreeayl Ra + Jim Baker: Perihelion

Read "Perihelion" reviewed by Mark Corroto

These days, it's a luxury to have a working jazz band. It's funny to think in those terms, isn't it? Sure, that was a nice record, you think. But modern musicians, particularly jazz musician often play in multiple ensembles, in theatre productions, teach music lessons privately, and curate local music series. These things are often accomplished ...

ARTICLE: ALBUM REVIEW

Fred Frith / Darren Johnston: Everybody's Somebody's Nobody

Read "Everybody's Somebody's Nobody" reviewed by John Sharpe

Here's a West Coast entrant to the slim body of guitar/trumpet duets from iconoclastic strummer Fred Frith and trumpeter Darren Johnston. It collects 11 short cuts from two studio sessions into a three-quarter hour program. They're not averse to co-opting rhythms (Frith) or melodic figures (Johnston), meaning that what we have here can be termed the ...

ARTICLE: ALBUM REVIEW

Electric Squeezebox Orchestra: Cheap Rent

Read "Cheap Rent" reviewed by Jack Bowers

Yes, the name is intriguing--but what should one expect musically from the San Francisco-based Electric Squeezebox Orchestra? Bits and pieces of a number of disparate elements, really, from straight-ahead contemporary motifs to shuffle beats and old-line swing, from down-home New Orleans rhythms to throwback grooves from the '70s and even a seductive ballad. What matters most ...


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