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Results for "Dan McClenaghan"
John Stowell/Dave Liebman: Blue Rose
by Dan McClenaghan
Saxophonist Dave Liebman joined guitarist John Stowell and bassist Don Thompson on three tunes on Stowell's The Banff Sessions (Origin Records, 2002). More than a decade later, Stowell and Liebman have teamed up on a duo outing, Blue Rose. The two artists' take on a bunch of jazz standards and Great American Songbook tunes has a ...
Ted Rosenthal Trio: Wonderland
by Dan McClenaghan
Lots of Christmas Albums" come out every year. Many of them are nice for an easy holiday listen, but let's face it, expectations are low in terms of endurance, and they can often be rightfully seen as quickly done, quick buck affairs. Then there are the ones that have endured: the Vince Guaraldi Trio's A Charlie ...
Arno Haas: Magic Hands
by Dan McClenaghan
Could it get any funkier than this, any deeper into the groove? It's doubtful. Saxophonist Arno Haas has, with Magic Hands, crafted a sound that's as tight and danceable as anything that James Brown's Famous Flames conjured back in the late 1960s and early 1970s. You Better Watch Out," a blast of fusion, opens ...
Enrico Pieranunzi: Live at the Village Vanguard
by Dan McClenaghan
Italian jazz pianist Enrico Pieranunzi, with his melodic romanticism and wondrous sense of harmony, deepened by by his classical training, gets compared often and aptly to the legendary and game-changing pianist Bill Evans (1929-1980). While Pieranunzi's style is more gregarious, and less introspective than that of Evans--and often more abstract--he does share with the late piano ...
David Sills: Blue's the New Green
by Dan McClenaghan
Saxophonist David Sills opens his Blue's the New Green with tenor sax titan Sonny Rollins' tune, No Moe." But Sills doesn't use Rollins' musculature or his burly tone. He rolls more in the mode of sax men Joe Henderson or Stan Getz--or, to take it back further, Coleman Hawkins or Ben Webster, with a smooth, vibrato-less ...
Stewy von Wattenwyl: After the Rain
by Dan McClenaghan
After the storm has passed through, after the rain, with the sunbeams peaking though the breaking clouds, the day takes on an unblemished clarity. The horizon's sharp edge separates land from sky. Details of the landscape shine with fine detail. That after-the-rain clarity and focus is what elevates the artistic endeavor. Swiss pianist Stewy von Wattenwyl, ...
Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio
by Dan McClenaghan
Drummer Gerry Gibbs calls this band the Thrasher Dream Trio. That Thrasher" aspect of the appellation might make the uninitiated conjure images of burly tattooed guys in sleeveless shirts, sporting long black hair--and maybe facial make-up--slamming their instruments in the heavy metal bass/drums/guitar mode. But this couldn't be further from the music at hand. Gerry Gibbs ...
Hiromi Kanda: Days of Yesterday
by Dan McClenaghan
Japanese-born and now Honolulu-based vocalist Hiromi Kanda had some success in her homeland with the beginnings of a singing career. After winning a talent contest, plans were made to turn Kanda into a sexy pop idol. She demurred. What Kanda wanted was a career as a singer/songwriter. And she loved the Great American Songbook, and artists ...
Trio ELF: Amsterdam
by Dan McClenaghan
One aspect of German pianist Walter Lang's artistry involves his work in the traditional piano trio format, evinced on stellar recordings like Eurasia (M & I Records, 2009) and Softly As In A Morning Sunrise (Nagel Heyer, 2005). His approach here comes out of the Bill Evans school of the piano trio, with a light and ...
Meir Shitrit: Way
by Dan McClenaghan
Isreali-born and now San Diego-based guitarist Meir Shitrit's Way sounds like a recording that guitarist Bill Frisell might have made, had he been born and raised in Israel. Frisell's often mulit-layered sets are, more often than not, a celebration of Americana--though certainly there are tangents and hybridizations in the discography. Meir's debut is a well-crafted, multi-ethnic ...


