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Lena Bloch: Feathery
by Dan McClenaghan
Russian-born tenor saxophonist Lena Bloch carries a cool burning torch for the music of saxophonist Warne Marsh and the Lennie Tristano school of jazz. For Feathery, her debut CD as a leader, Bloch has assembled a quartet that can rival the loose and interactive and spontaneous ensembles of alto saxophonist Lee Konitz--a Tristano acolyte and Bloch's ...
Juhani Aaltonen: To Future Memories
by Dan McClenaghan
Helsinki-based TUM Records, launched in 2003, “promotes more experienced musicians whose work is not favored by commercial trends of our time." The label is especially supportive of the freer end of jazz's spectrum, offering up albums like Kolibri by Finish pianist/harpist Iro Haarla, violinist Billy Bang's Da Bang, and trumpeter Wadada Leo Smith's Occupy the World, ...
Entrevero Instrumental: Exodo
by Dan McClenaghan
The award-winning Brazilian ensemble, Entrevero Instrumental, opens their Exodo CD with a burst of sound, an energetic melding of accordion, bass, drums, saxophone and seven string guitar. The tune is “Folha Negra." It, and the rest of the music of the set, celebrates in vivacious style the rhythms of southern Brazil. Arthur Boscato's seven string guitar ...
Pete Mills: Sweet Shadow
by Dan McClenaghan
A lot of words have clicked out of the keyboards concerning the possible demise of the compact disc. Maybe CDs will suffer the extinction, maybe not. But one thing is sure: saxophonist Pete Mills' Sweet Shadow is an excellent argument for the survival of the species. On his fourth release as a leader, Mills ...
Birchall & Woolhouse: The Scenery of Life Unfolding
by Dan McClenaghan
Piano trio albums--piano, bass and drums--may be the more common means of artistic expression in jazz, but piano/bass duet sets come long fairly often, too. Bassist Charlie Haden is a master of the approach, proof of which can be found on his teamings with pianists Keith Jarrett and Hank Jones on, respectively, Jasmine (ECM Records, 2011) ...
Sangeeta Michael Berardi: The Mr. P Sessions
by Dan McClenaghan
In October of 1996, guitarist Sangeeta Michael Berardi went into Nevessa Studio in Woodstock, New York, and laid down the tracks for what would become two monumental recordings, Earthship (Sunjump Records, 2008) and Calling Coltrane (Sunjump Records, 2011). This is stunning music from a man who played with Alice Coltrane, Roswell Rudd, Rashied Ali, Archie Shepp--a ...
Cava Menzies/Nick Phillips: Moment to Moment
by Dan McClenaghan
This feels like a chance ramble off of dimly lit streets into a wee hours night club; and the quartet--trumpet, piano, bass and drums--has slipped into a blue mood. A few notes from the muted horn, a half a dozen supple touches of the piano keys sets the introspective and melancholy tone for the evening. The ...
Scenes: ...but not heard
by Dan McClenaghan
ECM Records has been noted for its “Nordic Cool," school, from its many recordings of Scandinavian artists, with pianist Tord Gustavsen coming most readily to mind. Seattle's Origin Records has what can be called its “Northwest U.S. Cool" with recordings from bassist Jeff Johnson, saxophonist Hans Teuber, and the collective trio Scenes, with guitarist John Stowell, ...
Clare Fischer Orchestra: Extension
by Dan McClenaghan
The late 1950s and early 1960s saw a change in the approach to big band arranging. Voicings and colorings became more luxuriant, and the palettes began to include more pastels; classical harmonies began to creep in to charts. Gil Evans brought the arranging prowess he developed in the Claude Thornhill Orchestra and the the ...
Helen Sung: Anthem For A New Day
by Dan McClenaghan
There's a bit of the iconoclast in pianist Helen Sung. Her musical journey began in the classical world, and didn't take its rebellious tangent into jazz until her college years, after a chance encounter with a Harry Connick, Jr. concert, in a “bang on the piano" solo interlude. And then there was pianist Tommy Flanagan's solo ...
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