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Wadada Leo Smith Is Recognized As A National Treasure And His New Double Album "America's National Parks" Is Out Now On Cuneiform Records
“Wadada Leo Smith, in the middle of his seventh decade now, has created a body or work that qualifies him as one of America's artistic geniuses, in a league with Walt Whitman, Mark Twain, Herman Melville, Louis Armstrong, Duke Ellington, Miles Davis. A visionary America's National Parks, along with virtually every recording he has released in ...
Jasmine Lovell-Smith's Towering Poppies: Yellow Red Blue
by Dan McClenaghan
Soprano saxophonist/composer Jasmine Lovell-Smith released her excellent debut CD, Fortune Songs in 2012, two years after her move from her native New Zealand to New York. Four years later--after studies with Anthony Braxton and a move to Morelia, Mexico--she offers a follow-up effort, Yellow Red Blue. First rate debuts set up the expectations. Sophomore ...
BassDrumBone: The Long Road
by Dan McClenaghan
BassDrumBone has been in the business of making bold, muscular music for forty years, starting their unusual instrumental collaboration in 1977, and releasing their first album, Ohaspe on Auricle Records, in 1979. Trombonist Ray Anderson, bassist Mark Helias and drummer Gerry Hemingway employ a free form, powerhouse approach--there's not much pussyfooting going on with this instrumentation, ...
Tom Collier: Impulsive Illuminations
by Dan McClenaghan
Vibraphonist Tom Collier offers up something quite different from his previous Origin Records CDs, where he covered the jazz standards like John Coltrane's “Giant Steps; Miles Davis' “So What," and some seemingly unlikely pop hits: The Rolling Stones “What a Shame" and Brian Wilson's “God Only Knows," alongside his own always engaging compositions. With Impulsive Illuminations, ...
Clay Giberson: Pastures
by Dan McClenaghan
Pianist Clay Giberson has a fifteen year resume of fine recordings on Seattle's Origin Records label. The discs are, for the most part, solo and trio outings, with the trio sets appearing under his own name or that of his long-standing Upper Left Trio. Some examples: Spaceton's Approach, (2008), and Minga Minga (2015) as Clay Giberson; ...
Donder: Still
by Dan McClenaghan
A tiny brick chapel in the gloom of dusk, double doors flung open revealing a bright interior of the edifice in the foreground of dark, dense foliage, on the cover of Still, the debut CD release of the Belgium-based piano trio, Donder. The imagery portrays to perfection the music of the group. Reflective and often minimalist, ...
Mysteries Of The Deep and Binary from Brian (Shankar) Adler
by Dan McClenaghan
The compact disc probably won't disappear anytime soon, but the importance of the physical product is on the wane in the music world. Drummer Brian (Shankar) Adler works the “digital download only" mode of operation in his music-making sojourn, with two marvelous, mysterious, free-flowing EP sets, Mysteries of the Deep and Binary. Brian Shankar ...
Daniel Schlaeppi/Marc Copland: More Essentials
by Dan McClenaghan
The experience of this duo outing, More Essentials, begins with the packaging, the cover art, a gorgeous photo of two jelly fish immersed in the softened hues of shallow submersion in the sea. The disc spins, an introductory bass solo by Daniel Schlaeppi that leads into Miles Davis' “Blue In Green," with pianist Marc Copland's liquid, ...
Andrew Downing: Otterville
by Dan McClenaghan
Canada's Downing clan hails from the Ontario tobacco belt town, Otterville. Andrew Downing--bassist/cellist/composer--home-ported in Toronto now, celebrates the familial stomping grounds with a two CD set laid down by a sextet, plus guests, of an unusual instrumentation. It's an immersion into the simplicity and tranquility of the out-of-the-way, small town experience. Each of the ...
Richard Sussman: The Evolution Suite
by Dan McClenaghan
Arranger/conductor Gunther Schuller coined, in 1957, the term “Third Stream," to describe a musical synthesis of jazz and classical music. Early examples of this sound include Miles Davis/Gil Evans' Sketches of Spain (Columbia Records, 1961), saxophonist Stan Getz' Focus (Verve Records, 1961), and the Dizzy Gillespie/J.J. Johnson collaboration, the oddly overlooked and excellent Perceptions (Verve Records, ...
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