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Danny Green Trio Plus Strings: One Day It Will
by Dan McClenaghan
Charlie Parker, alto saxophonist/bebop pioneer, got the ball rolling on the adding of strings to jazz. This went down in the late 1947 through 1950, on a pair of releases on Mercury Records introducing the sound of the Yardbird backed by a symphony orchestra. These sets were later compiled by Verve Records and issued in 1995 ...
Oddgeir Berg: Before Dawn
by Dan McClenaghan
The evolution of the piano trio has taken us from Art Tatum to Erroll Garner to Oscar Peterson to Bud Powell to Bill Evans--with Thelonious Monk in there veering off from Ellington and the stride tradition on his own separate branch. The newest piano trio offshoot is that of groups who add electronic embellishments to their ...
George Kahn: Straight Ahead
by Dan McClenaghan
Los Angeles-based pianist George Kahn likes to think of the standard piano trio format as a gateway drug into jazz. He may be right. Think of the classic trios, those of Red Garland, Nat King Cole, Bud Powell. Their sounds are addictive--and distinctively different--but they share the pared-down purity of purpose and relative simplicity of dynamic ...
Peripheral Vision: More Songs About Error And Shame
by Dan McClenaghan
The Juno Award-nominated jazz quartet, Peripheral Vision, delivers a spontaneous set of modernistic music on More Songs About Error And Shame. The sound has a live-in-the-studio freshness, with studio tweakings to embellish their forward-leaning approach. The group's appraoch is a brash and metallic, a mesh of the teaming of Trevor Hogg's sharp toned tenor sax with ...
Chamber 3: Transatlantic
by Dan McClenaghan
Seattle-based drummer Matt Jorgensen tattoos every recording he releases with a mark of bold, clean modernity--whether working with his group Matt Jorgensen + 451 on Hope (Origin Records, 2004) and Another Morning (Origin Records, 2008), or Tattooed By Passion (Origin Records, 2010). Add in scores of sideman slots. His is a distinctive sound, compositionally and instrumentally, ...
Peter Madsen's Seven Sins Ensemble: Never Bet The Devil Your Head
by Dan McClenaghan
Pianist Peter Madsen has come up with a novel idea for a jazz record: A Tribute to Edgar Allen Poe (1809-1849), America's founding father of macabre/horror fiction. Bringing together a jazz quartet--piano/bass/drums/trumpet--and a string quartet, Madsen and his Seven Sins Ensemble capture the moods and atmospheres of some of the author's better-known tales on Never Bet ...
Laurie Dapice: Parting the Veil
by Dan McClenaghan
Phrasing is important. The top jazz vocalists are experts at laying down the elastic--or the sharp and concise--turn of phrase. New York-based vocalist Laurie Dapice excels in this regard. Like a deft baker working and molding the dough, she stretches and kneads a syllable here, and slices another off with a sharp cut of a dough ...
Dave Liebman/John Stowell: Petite Fleur: The Music of Sidney Bechet
by Dan McClenaghan
Saxophonist Dave Liebman leans “outside" for the most part. He came to a measure of fame in the bands of Miles Davis, during one of the influential trumpeter's decidedly outside periods--the 1970s, when Liebman participated in Davis' On The Corner (Columbia Records, 1972), Dark Magus (CBS-Sony, 1975), and Get Up With It (Columbia, 1977).
Paraphrase: Please Advise
by Dan McClenaghan
Saxophonist Tim Berne has taken his Snakeoil group to the top, with four excellent CD releases on ECM Records, including 2017's Incidentals. The ECM label is considered by many to be the gold star standard in terms of jazz--though the word “jazz" is way too confining to describe the music in their extensive catalog. That level ...
Daniel Meron: This Was Now
by Dan McClenaghan
Brooklyn-based pianist Daniel Meron rebels against the sometimes irksome ubiquity of electronic connectedness--smartphones, the internet, social media--with This Was Now, a solo piano recording of jazz standards, popular songs, Great American Songbook tunes, one free improvisation and one Israeli traditional song. He opens with the venerable “Body and Soul," a tune written in 1930, and launched ...
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The Quiet Cruelty of the Music Business
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Arcanum at Victoria Nasjonal Jazzscene, Oslo
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
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