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243

Article: Album Review

Sai Ghose Trio: E-Motion

Read "E-Motion" reviewed by Dan McClenaghan

by Dan McClenaghan

E-Motion opens with a tune entitled “Little Monster," and the sound does seem to harbor a bit of monstrous malevolence: a hard swing, a robust and brash tenor sax in front of the trio, a punchy dark-toned melody.The Sai Ghose Trio adds saxophonist Sean Berry to the mix on four of these eight tunes, ...

356

Article: Album Review

Steven Bernstein: Diaspora Hollywood

Read "Diaspora Hollywood" reviewed by Dan McClenaghan

by Dan McClenaghan

Trumpeter/composer Steven Bernstein's Diaspora Hollywood brings a Jewish tinge into a bluesy American jazz feeling; this mournful after-hours set brings some past sounds to mind while simultaneously pushing the vision forward.The ensemble features an unusual front line of the leader's trumpet with Pablo Calocero's baritone saxophone, bass clarinet and flutes, along with D.J. Bonebrake's ...

85

Article: Album Review

House Band of the Universe: Cycle Maintenance

Read "Cycle Maintenance" reviewed by Dan McClenaghan

by Dan McClenaghan

First things first, though it's probably irrelevant, but is House Band of the Universe a great name for a music-making ensemble or what?Now for the relevance: the sounds herein--it might be a suite, though it isn't labeled as such--seem as though they contain some sort of elusive grand significance, just out of reach. Or ...

175

Article: Album Review

Dave Lobenstein Trio: Triple Play

Read "Triple Play" reviewed by Dan McClenaghan

by Dan McClenaghan

This one came in with no words attached--no press release, no liner notes--not the recommended mode. So you know only that it's a trio affair, bass/drums/guitar, the leader of the set being bassist Dave Lobenstein.So it goes on the stereo, and it passes the five second test: if the first five seconds of a ...

160

Article: Album Review

Clark Terry and the Chicago Jazz Orchestra: Porgy & Bess

Read "Porgy & Bess" reviewed by Dan McClenaghan

by Dan McClenaghan

Can a remake of a classic album also be considered a classic? It's hard to say. George Gershwin's Porgy & Bess, as done by Miles Davis on flugelhorn in front of Gil Evans' fabulous lighter-than-air arrangements--this was back in 1958--certainly qualifies as a major work of art, quite innovative at the time. The venerable trumpeter/flugelhornist Clark ...

240

Article: Album Review

Satoko Fujii Trio: Illusion Suite

Read "Illusion Suite" reviewed by Dan McClenaghan

by Dan McClenaghan

Nobody does the piano trio thing like Satoko Fujii. Almost every other effort out there in this category can be related to Bill Evans, Thelonious Monk, Herbie Hancock, McCoy Tyner... to name just a few. With Fujii, the sound is a category of its own. Free, to be sure, with classical tinges, an the occasional influence ...

257

Article: Album Review

Natsuki Tamura Quartet: Exit

Read "Exit" reviewed by Dan McClenaghan

by Dan McClenaghan

Making music with a commercial appeal has probably never entered trumpeter Natsuki Tamura's mind. He follows his muse, and she takes him to uncharted territories.Last year's Hada Hada may be the most intense set of jazz sounds--Electric, with that capital “E"--you'll likely enounter, a plugged-in fifty thousand watt hurricane of a CD; while this ...

232

Article: Album Review

Chad Lawson Trio: Unforeseen

Read "Unforeseen" reviewed by Dan McClenaghan

by Dan McClenaghan

Nothing particularly earthshaking or groundbreaking here; just a well oiled piano trio going after an engaging set tunes, melody in the forefront. Pianist Chad Lawson has an ear for fine melodies on this collection that mixes standards, a few rock tunes, and four of his own first rate compositions. The set opens ...

189

Article: Album Review

Rick Stone: Samba de Novembro

Read "Samba de Novembro" reviewed by Dan McClenaghan

by Dan McClenaghan

Guitarist Rick Stone strums into Samba de Novembro 's opener, the title tune, with a clear, crisp, precise sound, joined twenty seconds later by Tardo Hamer's succinct and delicate piano notes--like raindrops into a pond. Up-tempo, fluid, an enticing South American mood. The guitar and piano--tangy versus sweet--bounce off each other nicely; and Matt Wilson, who ...

282

Article: Album Review

Sten Hostfalt: Eternity Check

Read "Eternity Check" reviewed by Dan McClenaghan

by Dan McClenaghan

A good deal of music that falls into the free jazz/improvised music category can sound like unstructured noise to the uninitiated listener, like the sounds made by a ensemble of adolescents without a year's worth of musical training between them noodling away on unfamiliar instruments.“Turn it up loud and listen again," a mentor once ...


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