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Iris Trio: Project Earth: The Blue Chapter
by Dan McClenaghan
Project Earth: The Blue Chapter, is credited to the Iris Trio, a classical group that features Christine Carter, on clarinet, Zoe Martin-Doike on viola and Anna Petrova sitting in the piano chair. Poet Don McCay recites his poetry throughout. The project's theme is humanity's impact on the environment, expressed in three sections: “Bird Island Suite," “Chorus ...
Bruno Raberg Tentet: Evolver
by Dan McClenaghan
Bassist Bruno Raberg released a nonet recording, Chrysalis (Orbis Music), in 2002--review here. That was his only foray into recording with a large-ish ensemble. Since Chrysalis he has primarily recorded in small ensembles. Evolver brings him back to the “almost a big band" format in more than twenty years. The disc features a first-rate tentet, with ...
Daniel Janke Winter Trio: Available Light
by Dan McClenaghan
Canadian pianist Daniel Janke calls the trio responsible for his Available Light the Winter Trio. The leader manages piano duties, accompanied by bassist Basile Racola and drummer Ariel Tessier. The inspiration for the name was Janke's home base, Whitehorse, Yukon, a city of thirty thousand hearty souls at sixty degrees north latitude, in the rain shadow ...
Antonio Flinta: Anger, Commitment and Love
by Dan McClenaghan
Chilean-born pianist Antonio Flinta, based now in Italy, catches the ear with his solo piano presentations. His alone-at-the-keyboard albums include Secret Of A Kiri Tree (2022) and 2023's marvelous Peripheral Songs's--both self-produced discs that make a great argument for self-production; they can sit on a serious listening shelf with Keith Jarrett, Kenny Werner or Marc Copland. ...
String Planes
by Dan McClenaghan
Collin Sherman takes the 'A' train to his day job in Manhattan. Billy Strayhorn, the writer of the tune “Take the 'A' Train" that was made famous by the Duke Ellington Orchestra, must be smiling. Do the seeds of Sherman's compositions germinate during these forty-five-minute rides? Possibly, though his music has no resemblance to Ellington's or ...
Keisuke Kishi: Midpoint Cafe
by Dan McClenaghan
Did drummer Keisuke Kishi, on a continent-spanning road trip, “get his kicks on route 66?" Possibly, though he--as anyone making the journey for the first time would--certainly had his eyes opened to wide-open spaces, stark, flat landscapes and pale blue skies. Bobby Troup wrote an R&B song in 1946 called “(Get You Kicks On) ...
Garza / Fawcett / Wojtowicz: Moab
by Dan McClenaghan
The album title is Moab. It comes out of Chicago, created by the trio of guitarist John Garza, bassist Peter Wojtowicz and drummer Jacob Fawcett. For those with a sketchy knowledge of ancient history, the Kingdom of Moab, established in 1300 BCE and lasting until 400 BCE, was located in what is now southern Jordan, on ...
Owen Broder: Hodges: Front and Center: Vol. Two
by Dan McClenaghan
At times, while listening to random classics in the collection, one can have the idea that everything in jazz evolved from the late '40s to early '50s bebop. But before bop was swing. Duke Ellington stayed with swing through bop, funk, and fusion. And so did alto saxophonist Johnny Hodges (1906-1970), who played in Ellington's band ...
Julieta Eugenio: Stay
by Dan McClenaghan
Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, ...
Mal Waldron - Steve Lacy: The Mighty Warriors
by Dan McClenaghan
Producer/jazz detective Zev Feldman is still at it, ferreting out unreleased recordings from jazz giants of the past and releasing them with buffed-up sound quality and first-rate packaging. Long lost recordings from pianists Bill Evans, Thelonious Monk, Art Tatum and Ahmad Jamal have seen the light of the twenty-first century, thanks to Feldman, as has newly ...
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