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Results for "Dan McClenaghan"
Joshua Bayer: New Voice: Old Voice
by Dan McClenaghan
A couple of alto saxophones, wailing sweet and lovely on Charles Mingus' Nostalgia in Times Square," open up Washington, DC-based bassist Joshua Bayer's New Voice: Old Voice. The rhythm section--Bayer, drummer Luther Gray and keyboardist Bob Sykes--inject a propulsive light touch into the swing; Sykes' Fender Rhodes floats in with a vibraphone-like sound.Bayer's last ...
Wilton Felder: Let's Spend Some Time
by Dan McClenaghan
Wilton Felder, a founding member of the legendary Jazz Crusaders, presents his trademark smooth jazz sounds with a satisfyingly funky touch and laid-back soulfulness on Let's Spend Some Time.The arrangements--not always a strong element in smooth jazz outings--have a particularly fine quality, an intermingling of sax/trumpet, synth and loops. The first two cuts, Smoke ...
Toby Koenigsberg Trio: Sense
by Dan McClenaghan
On Sense, pianist Toby Koenigsberg's trio offers up a wistful and straightforward take on the American Songbook classic My Foolish Heart," including a poignant, spare reading of the familiar melody. However, everything else on the disc pushes the boundaries.The trio opens and closes the set with tunes by the New York-based trumpeter Andre Canniere: ...
Jason Rigby: Translucent Space
by Dan McClenaghan
Multiple reedman Jason Rigby plays soprano, alto and tenor saxophones, as well as bass clarinet and wood flute, on Translucent Space. But it's not his skill with the instruments that makes the disc so rewarding, it's the fully realized ensemble sound he's crafted. The 31-year-old musician's debut recording puts on full display his considerable skills as ...
Scott Feiner: Pandeiro Jazz
by Dan McClenaghan
If you're not a fan of Brazilian music, chances are you're not already familiar with the pandeiro, a small hand-held frame drum that's similar in appearance to the tamborine. This unpretentious percussion instrument lends a uniquely airy texture and soft-tufted pop to the small jazz ensemble mix on Scott Feiner's Pandeiro Jazz.Feiner started out ...
Ben Adams Quintet: Old Thoughts for a New Day
by Dan McClenaghan
It's difficult to describe an ensemble that's built around a vibraphone without using words like glowing" or luminous." Thanks to the mallet prowess of Steve Nelson, Dave Holland's bands, big and small, have those shining qualities. And so does Ben Adams' quintet on Old Thoughts for a New Day.Adams and his group shape their ...
Kevin Hays Trio: For Heaven's Sake
by Dan McClenaghan
Kevin Hays opens For Heaven's Sake with a bit of solo piano: an introspective, reverent-sounding, church-like interlude. Then bassist Doug Weiss and drummer Bill Stewart slip into the sound and the trio winds into tenor saxophone great Sonny Rollins' Sonny Moon for Two," cranking up the intensity/extroversion factor for five minutes, and Weiss takes a solo ...
Gebhard Ullmann / Chris Dahlgren / Jay Rosen: Cut It Out
by Dan McClenaghan
German multi-woodwind player Gebhard Ullmann found the cover art for Cut It Out in the hallway of his Berlin apartment building, and he and bandmates found the music"--these spontaneous compositions--in bassist Chris Dahlgren's Brooklyn living room, where they recorded the disc, creating a set of sounds that have an spontaneous feeling all the way through.
Benny Lackner Trio: Sign of the Times
by Dan McClenaghan
New York-based pianist Benny Lackner came to my attention with the innovative jazz/pop outing Migratory (HeadFullaBrains, 2002) by Maroon, the group he co-leads with vocalist Hillary Maroon. That disc didn't make the splash it deserved, but in the music we loosely define as jazz, big splashes are fairly rare.Fast forward a few years--past another ...
Trio Beyond: Saudades
by Dan McClenaghan
Trio Beyond, led by drummer Jack DeJohnette, came together in London's Queen Elizabeth Hall in 2004 to present a tip of the hat to Tony Williams' Lifetime, the trio the legendary drummer formed after leaving Miles Davis' second great quintet in 1969. Lifetime featured a full-throttle drums/organ/guitar attack and fired off a loud, rock-infused opening salvo ...


