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Ryan Burns / Geoff Cooke / Jose Martinez: Tree-O
by Dan McClenaghan
Tree-O, a Ryan Burns-led piano trio affair, caught me by surprise. I was already familiar with Burns' work with Matt Jorgensen + 451 on the CD Hope (Origin Records, '04) and an excellent live show with that group at Dizzy's in San Diego, so I thought this effort would fall into the forward-lean/electric keyboard category. But ...
Oscar Peterson: Perfect Peterson: The Best of the Pablo and Telarc Recordings
by Dan McClenaghan
The back cover photo on this two-disc set is a shot of the inimitable Oscar Peterson in a light-toned suit with a wide necktie that sports a swirling, quasi-paisley pattern. The photo's in black and white, but we can guess at a riot of colors; and that phrase could serve as a decription of Peterson's piano ...
Gebhard Ullmann / Chris Dahlgren / Art Lande: Die Blaue Nixe
by Dan McClenaghan
This sounds like music that hangs out in a dark corner of the room, gently beckoning the listener into a different dimension.Multi-reedist Gebhard Ullmann, with over forty CD releases as a leader/co-leader to his name, records with a variety of different ensembles, large and small, but he seems to have a special affinity for ...
Craig Buhler: Capistrano Sessions
by Dan McClenaghan
Welcome to the West Coast, and welcome to some buoyant cool jazz on Capistrano Sessions. Multiple reedist Craig Buhler (clarinet, alto and tenor saxophones) takes us on a “trip along the Pacific Coast" on this recording. This quintet outing fits the mold of fellow West Coaster Art Pepper's sound, though Buhler and his mates have perhaps ...
Jim McNeely / Kelly Sill / Joel Spencer: Boneyard
by Dan McClenaghan
I'd take the bet that a good percentage of jazz fans--those of my generation, at least--got their start in jazz via Miles Davis, John Coltrane, Art Blakey and Dave Brubeck, mainly piano/bass/drum rhythm sections behind one or more horns. And I can remember wondering why Miles, Cannonball Adderley and John Coltrane sat out on “Billy Boy" ...
Wayne Wallace: The Reckless Search for Beauty
by Dan McClenaghan
San Francisco-based trombonist Wayne Wallace's first professional musician jobs were in a Top Forty group and a James Brown cover band. From there, he attended San Francisco State University, graduating with a degree in Performance. Then he traveled to Havana, Cuba to study Afro-Cuban music at the National School of Arts. His search seems more steeped ...
Francis Jacob and the Flying Saucers: Side-By-Side
by Dan McClenaghan
Call Francis Jacob a musical globetrotter. The guitarist was raised in Geneva, Switzerland, studied at Berklee in Boston, moved to Brazil in 1989 to study music there, then relocated to New York in 1991. And with Side-By-Side, he's crafted a two-sided world fusion sound driven by African rhythms.The set relies on one of the ...
Alex Clements: Emily's Song
by Dan McClenaghan
Solo piano may be the ultimate form of musical expression on the instrument. But a good percentage of the albums in that category seem to beg for a bass and drums, a boost of the rhythmic undercurrent to flesh out the keyboardist's ideas. Going solo, it's melody, rhythm and harmony in two hands, no safety net. ...
Gato Libre: Nomad
by Dan McClenaghan
Trumpeter Natsuki Tamura's trip into European folk sounds is one of the stranger, off-on-a-tangent jazz journeys around. His new Gato Libre group, with one previous CD, Strange Village (Muzak, 2005), to its credit, is an accoustic quartet with his wife and musical collaborator Satoko Fujii (accordion), Kazuhiko Tsumura (guitar) and Norikatsu Koreyasu (bass). Nomad carries on ...
Rick Parker Collective: Finding Space
by Dan McClenaghan
You gotta love a good album cover, even if a photo of a big goofy-looking dog has nothing to do with the music. But why not--Matt Jorgensen did it with Hope (Origin Records, '04), and there was some first-rate modern-leaning stuff on that disc. The same goes for the Rick Parker Collective's Finding Space.Parker ...
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