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Andy Suzuki: Prime
by Dan McClenaghan
You'd think the job of making a successful jazz CD would be hard enough without imposing restrictions on the process. The restriction that saxophonist Andy Suzuki has tackled on Prime is prime numbers--and refresher for those who have forgotten their math studies, a prime number is one those that can be divided only by itself and ...
Peter Beets: New Groove
by Dan McClenaghan
What zesty, light-stepping, buoyant sounds these are. There's some serious swinging happening on Dutch pianist Peter Beets' New Groove. Beets employs two different trios, one from New York, the other from his native Netherlands. Both trios utilize piano, guitar and bass, reminiscent of Ahmad Jamal's 1955 recordings with guitarist Ray Crawford and ...
Arturo O'Farrill and the Afro-Latin Jazz Orchestra: Song For Chico
by Dan McClenaghan
Arturo O'Farrill's Song for Chico is a disc that would have done the old man proud. The Chico" of the title is Cuban-born Arturo Chico" O'Farrill, the senior (b.1921; d.2001), the visionary Latin jazz composer who wrote, most famously, the Afro-Cuban Jazz Suite," recorded in 1950 by Machito and his Afro-Cuban Orchestra, with none other than ...
Paul Hemmings Trio with John Tchicai: Letter From America
by Dan McClenaghan
The Paul Hemmings Trio with saxophonist John Tchicai mixes some styles around on Letter From American, and still comes up with a cohesive set of sounds.Under a New Mexico Sky" opens the disc with a sludgy rhythm behind John Tchicai's raw, loud saxophone. It sounds like Led Zeppelin, circa 1969, especially when guitarist Hemmings ...
Eliane Elias: Something For You: Eliane Elias Sings and Plays Bill Evans
by Dan McClenaghan
Everybody digs Bill Evans, the pianist who changed the face of the piano trio in jazz with his Sunday at the Village Vanguard (Riverside Records, 1961) and Waltz for Debby (Riverside Records, 1961). These were the albums that brought a then unheard of level of interaction between the pianist and his trio mates, bassist Scott LaFaro ...
Matt Jorgensen + 451: Another Morning
by Dan McClenaghan
Matt Jorgensen + 451 has created a distinctive music, a free flying jazz sound with a 1960s rock sensibility, bursting with enormous chops. It's a mix of Ryan Burns' often out there, Jimi Hendix-ian keyboard work (wailing on Fender Rhodes, organ and Moog ), Mark Tayor's bite-of-lime saxophone tang, Jorgensen's multi-layered percussion complexities and Phil Sparks' ...
Virginia Mayhew Septet: A Simple Thank You
by Dan McClenaghan
This is about the coolest cover art you'll ever see on a CD: Saxophonist Virginia Mayhew in blue tones, as bald as an egg (cancer treatments), in partial profile, eyes closed, in an apparent state of repose. She looks like a sleek android discovered in arctic ice. Cool as hell.The music on Mayhew's fifth ...
Dorothy Doring: Southern Exposure
by Dan McClenaghan
Minnesota-based vocalist Dorothy Doring followed the Mississippi River from her native Minnesota down to New Orleans to record her CD Southern Exposure.The set opens with the time-tested Consuelo Velasques tune, Besame Mucho." It's a song that's been covered by, seemingly, everybody: The Beatles, Carmen McCrae, Frank Sinatra, Nat King" Cole and so on. So ...
Nik Bartsch's Ronin: Holon
by Dan McClenaghan
For those of us who weren't paying attention earlier, Nik Bartsch's Ronin first burst on the scene with its 2007 ECM Records debut, Stoa. But the Swiss composer-pianist had, in fact, been building a just-beneath-the-radar discography for several years on his own Ronin Rhythm Records.Which brings us to Holon, Bartsch's second ECM set, one ...
Leigh Sutherlin: Sandbar
by Dan McClenaghan
You meet a father and son at a garage sale, checking out some CDs. You get to talking music. The man says his wife is a jazz artist with a debut recording on the way. A CD release show is in the works. You accept an invite, hoping to hear some passable sounds. You show up ...

