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175

Article: Album Review

Trio Reenactment: Trio Reenactment

Read "Trio Reenactment" reviewed by Dan McClenaghan


The deep dark prowling bass lines that open up Trio Reenactment's “Groove Chick," says that this Detroit-based piano trio's leader is bassist John Barron. The up-tempo composition has the feel of a Motor City “Night in Tunisia," as it drives forward with an exotic groove.Barron, pianist Sven Anderson and drummer Rich Emanuel are veterans ...

285

Article: Album Review

Jessica Williams: Tatum's Ultimatum

Read "Tatum's Ultimatum" reviewed by Dan McClenaghan


Rule Number 1 of writing a music review: try to be at least half as creative and spontaneous as the music at hand. Rule Number 2: If it's Jessica Williams' music you're writing about, good luck with Rule Number 1.Pianist Jessica Williams is another one of those jazz artists who hasn't received the acclaim ...

198

Article: Album Review

Marcin Wasilewski Trio: January

Read "January" reviewed by Dan McClenaghan


Listening to “The First Touch," the opening cut on the Marcin Wasilewski Trio's disc, January, is like slipping into a shimmering dream. The piano trio's sound is gentle, drifting and contemplative. Space is a factor, as is intricate three-way interplay. The music fits into the much written of “ECM Records aesthetic"--a sound not too far from ...

190

Article: Album Review

Torben Waldorff: Afterburn

Read "Afterburn" reviewed by Dan McClenaghan


Guitarist Torben Waldorff really knows how to put a band together. The first impression on hearing his previous effort, Brilliance (ArtistShare, 2007), was that his group had a great collective sound. There was a lot of fine soloing, to be sure--from saxophonist Donny McCaslin and Waldorff--but it was the group atmosphere, simmering and always a bit ...

497

Article: Album Review

Jessica Williams: Songs for a New Century

Read "Songs for a New Century" reviewed by Dan McClenaghan


If you slip into Jessica Williams' web site and ride the currents of her blog, you could get the feeling that the (proudly) sixty year-old jazz pianist is something of an eccentric. Which is a good thing--in this case, an eccentric being one who has walked away from the hype, b.s. and group think with her ...

192

Article: Album Review

Andy Suzuki: Prime

Read "Prime" reviewed by Dan McClenaghan


You'd think the job of making a successful jazz CD would be hard enough without imposing restrictions on the process. The restriction that saxophonist Andy Suzuki has tackled on Prime is prime numbers--and refresher for those who have forgotten their math studies, a prime number is one those that can be divided only by itself and ...

163

Article: Album Review

Peter Beets: New Groove

Read "New Groove" reviewed by Dan McClenaghan


What zesty, light-stepping, buoyant sounds these are. There's some serious swinging happening on Dutch pianist Peter Beets' New Groove. Beets employs two different trios, one from New York, the other from his native Netherlands. Both trios utilize piano, guitar and bass, reminiscent of Ahmad Jamal's 1955 recordings with guitarist Ray Crawford and ...

472

Article: Album Review

Arturo O'Farrill and the Afro-Latin Jazz Orchestra: Song For Chico

Read "Song For Chico" reviewed by Dan McClenaghan


Arturo O'Farrill's Song for Chico is a disc that would have done the old man proud. The “Chico" of the title is Cuban-born Arturo “Chico" O'Farrill, the senior (b.1921; d.2001), the visionary Latin jazz composer who wrote, most famously, the “Afro-Cuban Jazz Suite," recorded in 1950 by Machito and his Afro-Cuban Orchestra, with none other than ...

199

Article: Album Review

Paul Hemmings Trio with John Tchicai: Letter From America

Read "Letter From America" reviewed by Dan McClenaghan


The Paul Hemmings Trio with saxophonist John Tchicai mixes some styles around on Letter From American, and still comes up with a cohesive set of sounds.“Under a New Mexico Sky" opens the disc with a sludgy rhythm behind John Tchicai's raw, loud saxophone. It sounds like Led Zeppelin, circa 1969, especially when guitarist Hemmings ...

391

Article: Album Review

Eliane Elias: Something For You: Eliane Elias Sings and Plays Bill Evans

Read "Something For You: Eliane Elias Sings and Plays Bill Evans" reviewed by Dan McClenaghan


Everybody digs Bill Evans, the pianist who changed the face of the piano trio in jazz with his Sunday at the Village Vanguard (Riverside Records, 1961) and Waltz for Debby (Riverside Records, 1961). These were the albums that brought a then unheard of level of interaction between the pianist and his trio mates, bassist Scott LaFaro ...


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