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Grupo Falso Baiano: Simplicidade: Live at Yoshi's
by Dan McClenaghan
In the early 1960s, a series of albums by Stan Getz, including Jazz Samba (Verve Records, 1962), with guitarist Charlie Byrd, and Getz/Gilberto (Verve Records, 1963), with Joao Gilberto and Antonio Carlos Jobim, helped propel the Brazilian bossa nova to an unusually high level of popularity. But in Brazil, before there was bossa nova there was ...
Denny Zeitlin: Labyrinth
by Dan McClenaghan
Denny ZeitlinLabyrinthSunnyside Records2011 Pianist Denny Zeitlin recorded a handful of fine albums for Columbia Records in the mid-1960s, forward-leaning trio affairs showcasing his often cerebral but always approachable technique and his superb songwriting. This was at a time when he was studying medicine. He became, and continues ...
Augusto Pirodda: No Comment
by Dan McClenaghan
A standard comic-strip theme presents the wise man sitting cross-legged on a remote mountain top, contemplating life, the human condition, God. A searcher from the temporal world below climbs the mountain and asks the wise man a question of profound importance. The last frame of the strip is a joke, the wise man's answer that steers ...
Rich Halley Quartet: Requiem for a Pit Viper
by Dan McClenaghan
It must be difficult for saxophonist Rich Halley to find a collaborative horn man who can keep up with him, who can match his free jazz ferocity and full-throttle momentum. Difficult, but not impossible. In the midst of three fine trio efforts for Louie Records, he offered up one quartet outing in which the saxophonist teamed ...
Ernie Krivda: Blues for Pekar
by Dan McClenaghan
Cleveland, Ohio-based tenor saxophonist Ernie Krivda teams up with his “Detroit Connection," a rhythm section of Motor City jazz stalwarts, on Blues for Pekar, a swinging mainstream set that bursts to life with a fiery take on the standard, “The End of a Love Affair." After a brief unison head with the first of his guest ...
David Binney: Barefooted Town
by Dan McClenaghan
Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and ...
Susana Santos Silva Quintet: Devil's Dress
by Dan McClenaghan
Jazz is an American art form, brewed up in a musical gumbo in New Orleans in the early twentieth century. The music drew on an African tradition, but a European influence seeped in. The Big Easy was a cosmopolitan city, even in its beginnings. European jazz, borrowed from America but originating in and played by European ...
Robbie Robertson: How To Become Clairvoyant
by Dan McClenaghan
Expat Canadian guitarist/vocalist Robbie Robertson has never topped his first two major-label recordings with The Band, Music From Big Pink (Capitol, 1968), that included the timeless single, “The Weight," or its classic follow-up, The Band (Capitol, 1969). But, then again, neither has anyone else.Since the original Band broke up--its final days together in 1976 ...
Peter Zak: Down East
by Dan McClenaghan
Pianist Peter Zak and his superb trio went into the studio to swing on Down East, and swing they did. Opening with Duke Pearson's “Is That So?," Zak displays a light touch and a sparkle and shine not unlike that of Red Garland or Oscar Peterson, with ubiquitous bassist Peter Washington and drummer Rodney Green locking ...
Bill Evans: The Sesjun Radio Shows
by Dan McClenaghan
Bill EvansThe Sesjun Radio ShowsOut Of The Blue/Naxos2011 (1973-79) Pianist Bill Evans (b. 1929, d. 1980) changed the way of the piano trio, beginning with a handful of brilliant studio recording for Riverside Records in the late 1950s and early 1960s. A pair of live recordings for ...
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