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David Binney: Barefooted Town
by Dan McClenaghan
Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and ...
Susana Santos Silva Quintet: Devil's Dress
by Dan McClenaghan
Jazz is an American art form, brewed up in a musical gumbo in New Orleans in the early twentieth century. The music drew on an African tradition, but a European influence seeped in. The Big Easy was a cosmopolitan city, even in its beginnings. European jazz, borrowed from America but originating in and played by European ...
Robbie Robertson: How To Become Clairvoyant
by Dan McClenaghan
Expat Canadian guitarist/vocalist Robbie Robertson has never topped his first two major-label recordings with The Band, Music From Big Pink (Capitol, 1968), that included the timeless single, “The Weight," or its classic follow-up, The Band (Capitol, 1969). But, then again, neither has anyone else.Since the original Band broke up--its final days together in 1976 ...
Peter Zak: Down East
by Dan McClenaghan
Pianist Peter Zak and his superb trio went into the studio to swing on Down East, and swing they did. Opening with Duke Pearson's “Is That So?," Zak displays a light touch and a sparkle and shine not unlike that of Red Garland or Oscar Peterson, with ubiquitous bassist Peter Washington and drummer Rodney Green locking ...
Bill Evans: The Sesjun Radio Shows
by Dan McClenaghan
Bill EvansThe Sesjun Radio ShowsOut Of The Blue/Naxos2011 (1973-79) Pianist Bill Evans (b. 1929, d. 1980) changed the way of the piano trio, beginning with a handful of brilliant studio recording for Riverside Records in the late 1950s and early 1960s. A pair of live recordings for ...
Konitz/Mehldau/Haden/Motian: Live at Birdland
by Dan McClenaghan
Konitz/Mehldau/Haden/MotianLive at BirdlandECM Records2011 The tunes are familiar, Great American Songbook and jazz standards all. So for those unfamiliar with the names involved in this quartet outing, the old complaint of “same old same old" could surface. But with alto saxophonist Lee Konitz at the top of ...
Colin Vallon Trio: Rruga
by Dan McClenaghan
The piano trio--piano, bass and drums--can seem something of an anachronism in a time when musical artists make use of synthesizers, electronics, laptops and loops to craft their sounds. But scores of pianists still go to the acoustic trio format as one of their primary means of expression. In looking toward jazz veterans, Keith Jarrett and ...
Bill Carrothers Trio: A Night at the Village Vanguard
by Dan McClenaghan
Bill Carrothers Trio A Night At The Village Vanguard Pirouet Records 2011 Maybe everything that goes down in New York's Village Vanguard should be documented. The history of live albums recorded at the legendary venue, going back to the early days, includes standout sets by pianist Bill Evans and saxophonists ...
Mr. Ho's Orchestrotica: Third River Rangoon
by Dan McClenaghan
The “Mr. Ho" of Mr. Ho's Orchestrotica is vibraphonist Brian O'Neil, who has put together a vibraphone quartet, also featuring flute, percussion and bass, for Third River Rangoon. The music, dubbed “exotica," drifts back and forth across the less than distinct border between third stream chamber jazz and classical, with hints of world music influenced by ...
Jim Snidero: Interface
by Dan McClenaghan
Alto saxophonist Jim Snidero is a masterful mainstream jazz man, though he's proven his versatility and overall musical acumen, including a third stream lean, on his Strings (Fantasy Jazz, 2003), a set that featured a jazz quartet teamed with strings. Interface finds Snidero back in a straight-ahead frame of mind, teamed, for his ...
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