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Steven Kroon: On The #1
by Dan Bilawsky
Steven Kroon has long been a first-call percussionist for the musical elite, adding seasonings and spices to the variety of R&B, jazz, and soul dishes that these bigwigs make. He's worked behind Luther Vandross, Aretha Franklin, Ron Carter, Jimmy Heath, Diana Krall, Stanley Turrentine, and numerous others over the past three-plus decades. Many ...
Alan Broadbent And NDR Bigband: America The Beautiful
by Dan Bilawsky
In the brief liner essay that accompanies America The Beautiful, pianist Alan Broadbent notes that he has “an aversion to being clever," but the rest of the music world never received that memo. Everybody from Irene Kral to Diana Krall and Charlie Haden to Charlie Rich has benefited from his brilliance with a pen and/or a ...
Jeff Kunkel: Meu Coracao Brasileiro
by Dan Bilawsky
Brazil never lets go once it's wrapped its arms around a musician. Pianist Jeff Kunkel discovered this firsthand. In 2007, Kunkel, the Coordinator of Jazz Studies at Montclair State University's Cali School of Music in New Jersey, took a sabbatical and took off to see Brazil for himself. The experience was life-changing, and he's since returned ...
Mike Rud: Notes On Montreal
by Dan Bilawsky
Do you have to be intimately familiar with a specific locale and its literary representations and intimates in order to appreciate music that's inextricably linked to it? Guitarist Mike Rud's Notes On Montreal raises that question, but it's a question that can never truly be answered. For it's up to each individual artist to find a ...
Jamie Reynolds: Counterpart
by Dan Bilawsky
The space between traditionalism and experimentalism is a tough place to live. The bulk of the attention usually goes to those who work at these polar extremes, either bowing to the altars of tradition or knocking them down with sledgehammers. Pianist Jamie Reynolds does neither when he writes and plays. Reynolds' debut--Time With ...
Stacey Kent: The Changing Lights
by Dan Bilawsky
Stacey Kent's voice operates at the intersection of knowingness and innocence. She delivers every song with finesse, balancing a sense of wide-eyed wonderment with soft-handed confidence. Perhaps that's why she's been able to build such an enormous fan base since starting her singing career and showing up on listener's radars near the turn of the century. ...
Nicky Schrire: On Songs, Spaces And Places
by Dan Bilawsky
What defines power? That's a tough question to answer in general, and an even harder one to figure out when it comes to the world of music. For in music, a whisper may carry greater weight than a roar, an honest gesture can outdo a demonstration of brute strength and technique, and a direct message to ...
Dan Weiss: Fourteen
by Dan Bilawsky
While the ear essentially functions the same way for everybody, all people don't process sound in the same fashion. Experiences shape the way each and every person takes in what they hear. Some tend to focus in on a single sound, others key in on conversational concepts, and then there are those who are big picture ...
Tim Hegarty: Tribute
by Dan Bilawsky
Tim Hegarty's Tribute is an audible panegyric on the great saxophonist-composers. It's a well-crafted, straightforward date that highlights Hegarty's love for those who've come before and the work that they've done on paper and on record. The list of saxophonists that Hegarty has studied includes George Coleman, Jimmy Heath, Frank Foster, Joe Henderson, ...
Donald Edwards: Evolution Of An Influenced Mind
by Dan Bilawsky
Donald Edwards is one of those drummers that seem to be taken for granted. He's constantly being called upon to support others, shaping moods and grooves on record for everybody from saxophonist Dayna Stephens to trombonist Conrad Herwig to vocalist Carolyn Leonhart, but he's largely avoided being in the spotlight. He's only released two other leader ...
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