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Results for "Dan Bilawsky"
Pat Bianchi Trio: A Higher Standard
by Dan Bilawsky
Fiery displays, lyrical expressions, bluesy statements, punchy interludes, torrential downpours of notes, and space-conscious thoughts all come to the surface on this well-crafted trio date from rising star organist Pat Bianchi. While Bianchi has drawn a lot of attention for his sideman work with such high profile artists as saxophone legend Lou Donaldson, ...
Trio \ Def (Drouin/Eagles/Froman) Release Debut Album
Groove-laden tracks, textural scenarios, and multi-hued passages are all front and center on (Drouin/Eagles/Froman)—the debut album from trio \ DEF. The cooperative threesome of bassist Marc-Andre Drouin, guitarist Wayne Eagles, and drummer Ian Froman digs deep, delivering music that’s alternately menacing and disarming, barbed and beautiful, and patient and restless. High-octane jams, earthy encounters, and airy ...
Mark Winkler: Jazz and Other Four Letter Words
by Dan Bilawsky
Vocalist Mark Winkler has been something of a victim of his own talent: his work as a vocalist has often been routinely overlooked, largely eclipsed by his renown as a songwriter. But the tide seems to be turning for this cool school singer-of-note. With the critical success and positive public response to The Laura Nyro Project ...
Joe Magnarelli: Three On Two
by Dan Bilawsky
The majority of trumpeter Joe Magnarelli's leader dates have been no-nonsense, straight ahead quintet outings, so on the surface, it might appear that he's settled into something of a rut. But appearances can be deceiving. Only those who haven't heard Magnarelli's albums would think such a thing. For with each one, he's managed to peel back ...
The Don Braden Organix Quartet: Luminosity
by Dan Bilawsky
Saxophonist Don Braden is all about positivity and sharing the joys of jazz. His ebullient music speaks to his intelligence yet he never falls prey to the jazz-as-intellectual-exercise trap that seems to snare younger musicians and a good amount of his peers. Over the course of his previous albums, Braden's managed to create accessible music built ...
Waxwing: A Bowl Of Sixty Taxidermists
by Dan Bilawsky
The second album from this Vancouver-based trio--originally going by Wilson/Lee/Bentley, now known as Waxwing--is a study in contrasts. Idiosyncratic miniatures sit shoulder to shoulder with statements of serenity, eerie constructs and macabre scenarios are quickly replaced with comforting sounds, and uncertainty peaks around every corner. But there's a distinctive group sound and aesthetic here that transcends ...
John Fedchock New York Big Band: Like It Is
by Dan Bilawsky
Trombonist John Fedchock may be a seasoned veteran, but he's not set in his ways as a player, arranger, or composer. While some big band leaders of his ilk either try to recreate the past or completely abandon it, attempting to reboot themselves by genuflecting at the altar of modernism, he isn't one of them. Fedchock ...
Wayne Horvitz: Some Places Are Forever Afternoon (11 Places For Richard Hugo)
by Dan Bilawsky
Nature's gifts, depressive streaks, undiluted tastes of reality, and everyday slices of twentieth century northwestern American life all strongly inform the work of poet Richard Hugo (1923-1982); all of those elements, not surprisingly, also find there way into pianist Wayne Horvitz's Some Places Are Forever Afternoon (11 Places For Richard Hugo)--an absorbing collection of music that ...
Dida Pelled: Telling Stories And Serving Songs
by Dan Bilawsky
When it comes to music, Dida Pelled doesn't discriminate. This young guitarist-vocalist--a doe-eyed ingénue in appearance, a mature artist in reality--has proven to be an inimitable double-threat who's more concerned with serving a song and doing justice to the music than fitting into a neat little stylistic box. She's equally comfortable playing straight-up jazz at Smalls ...
Matthew Stevens: Woodwork
by Dan Bilawsky
Guitarist Matthew Stevens has already made a name for himself through his work with artists like trumpeter Christian Scott, saxophonist Walter Smith III, drummer Terri Lyne Carrington, and bassist-vocalist Esperanza Spalding. But he shouldn't be pigeonholed as a support player or viewed simply as sideman du jour in the eyes of the jazz world. That would ...
