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Todd Coolman & Trifecta: Collectables
by Dan Bilawsky
Bassist Todd Coolman readily cops to his collections in the liner essay for this delightful date, noting a fondness for accumulating baseball caps, photos and drawings of birds, timepieces, and antique fishing tackle. But it's his collections from the realm of music--also cited in his writing(s)--that shape this date. He's amassed a stockpile of favorite songs ...
Sara Gazarek and Josh Nelson: Dream In The Blue
by Dan Bilawsky
The success of a story often hinges on the art of the telling. Listen to vocalist Sara Gazarek with pianist Josh Nelson and you immediately see that to be true. These two use ripples of inflection to elicit tidal waves of emotion, uncover new wrinkles in the oldest of thematic fabrics, paint scenes and/or inhabit characters ...
Steffen Kuehn: Leap Of Faith
by Dan Bilawsky
Leap Of Faith is the fourth album from Grammy-winning trumpeter Steffen Kuehn, but it's the first record to truly represent and showcase every aspect of his artistry. He produced the album, he was involved in the mixing process, he wrote eight of the ten compositions featured within, and his horn playing is central to the success ...
Peter Eldridge: Disappearing Day
by Dan Bilawsky
It wouldn't necessarily be inaccurate to refer to Peter Eldridge as a “singer-songwriter," but that tag definitely does not fit him. Such a label just undercuts the creative brilliance behind his music, diminishing the beauty, truth, strength, wit, and compassion in his work. The man is far more than a simple spinner of songs. His is ...
Victor Gould: Clockwork
by Dan Bilawsky
There are lots of moving parts that make clocks tick. Each has its own function, harmoniously aligned with the others, and every single one helps to sustain the very concepts of time and flow. The analogy can clearly be drawn from these mechanisms behind timepieces to jazz in general, but it's rarely as obvious to the ...
Brian Charette: Once & Future
by Dan Bilawsky
Nobody who wields an instrument of any sort can truly escape the gravitational pull of history. There are many who try to fight it, but better to embrace what came before, acknowledge where a sound or concept originates, and use that knowledge as both a port of arrival and a point of departure. There are no ...
Dan Cray: Outside In
by Dan Bilawsky
Encounters with the wonders of nature have a way of snapping everything into perspective and tamping down humanly worries and concerns. Too often we spend time absorbed and obsessed with working from the inside out, projecting ourselves into the world. But sometimes it's better to simply go the other way and let the beauty that exists ...
Joe Lovano Quartet: Classic! Live at Newport
by Dan Bilawsky
It's safe to say that many years from now, when the critics and historians have the benefit of distance to help focus their thoughts, many if not most will continue to hail much of saxophonist Joe Lovano's presently-admired body of work on the Blue Note imprint. But what will stand tallest in said discography? Some may ...
Wolfgang Lackerschmid & The Brazilian Trio: Samba Gostoso
by Dan Bilawsky
This was bound to happen eventually. German vibraphonist Wolfgang Lackerschmid has worked with each man in The Brazilian Trio at different times and he's long been fascinated with the sounds of their homeland, so he was destined to eventually collaborate with this collective. On Samba Gostoso, Lackerschmid is seamlessly integrated into the already-established ...
Dick Sisto/Steve Allee Quartet: Earth Tones
by Dan Bilawsky
While Earth Tones is the first album credited to the Dick Sisto/Steve Allee Quartet, it's not this foursome's first rodeo. This group has been at it as a working band for quite a while now, and it previously released Spirit of Life (Jazzen, 2013)--a date under Sisto's name that concentrates on the work of John Coltrane, ...
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