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Results for "Dan Bilawsky"
Lauren Kinhan: A Sleepin' Bee
by Dan Bilawsky
Leaning on touchstones as a creative resource can be tricky business. If an artist puts too much stock in the original, they end up with a second-rate likeness of the archetype. But if they move too far away from the model, the tether breaks and the connection is completely lost in the wind. It takes a ...
Fred Hersch's Leaves Of Grass at Jazz at Lincoln Center
by Dan Bilawsky
Fred Hersch's Leaves Of Grass The Appel Room at Jazz at Lincoln Center New York, NY September 15, 2017 Walt Whitman's Leaves Of Grass may be the ultimate contemplation on man's commonalities and singularities, underscoring what binds all of humanity and what distinguishes each of us as individuals. And so it's ...
Antonio Sanchez Group at Jazz Standard
by Dan Bilawsky
Antonio Sanchez Group Jazz Standard New York, NY September 15, 2017 There certainly are musicians out there who lean heavily on chops in order to mask deficiencies in other areas, but nobody could ever get away with painting Antonio Sanchez as one of them. The man may have serious technique, but ...
Tomas Fujiwara: Triple Double
by Dan Bilawsky
The ninety seconds of scattershot guitar nicks that introduce “Diving For Quarters" can be seen as something of a trial by noodling. If you make it through that rough and prickly patch mentally intact, you're in for a treat. Asymmetrical grooving in fifteen, puckered brass glances, winding horn melodies, and stormy ensemble assaults all follow as ...
Bruce Harris: Beginnings
by Dan Bilawsky
Many a debut album receives a largely positive critique before being cut down to size with a qualifier. It's simply a jazz journalist's nature to paint newcomers as nascent talent in need of seasoning, players showing signs of potential, or artists taking a good first step with a first record. But sometimes a debut album is ...
Eddie Daniels & Roger Kellaway: Just Friends
by Dan Bilawsky
Clarinetist Eddie Daniels and pianist Roger Kellaway are more than just friends; they're musical soulmates, connected in pulse and impulse, focused on the same syncretic sum of sounds and styles, and bound by a telepathic rapport. Both men are virtuosos of the highest order, but that's beside the point. The real measure of their artistic collaborations ...
Adam Larson: Second City
by Dan Bilawsky
When you hear “Second City" and think about improvisation, comedy comes to mind before jazz. But this music is no laughing matter. Saxophonist Adam Larson is one serious talent, as this, his fourth album to date, makes clear. While Larson has called New York home for the past decade, Second City was recorded ...
Christian McBride Big Band: Bringin' It
by Dan Bilawsky
Where and how does Christian McBride find the time to do what he does? His plate is full about nine times over, what with his work as bassist, composer, bandleader, educator, jazz advocate, public speaker, radio personality, DJ, and Artistic Director for the Newport Jazz Festival. It's no wonder that it took him six years to ...
Dave Potter: You Already Know
by Dan Bilawsky
You might not know who drummer Dave Potter is, but you should. Whether stoking the flames in Jason Marsalis' Vibes Quartet, adding rhythmic flair to the recordings of bassist Will Goble, or leading the charge on his own, Potter has something incredibly positive to say. With You Already Know, Potter shrewdly mixes it ...
Jared Sims: Change Of Address
by Dan Bilawsky
Jared Sims isn't a purist, that's for sure. On Change Of Address, an album that marks his return to life in West Virginia after two decades spent in New England, he wields his baritone saxophone on a set of slick tunes that speaks to jazz's soul and funk extensions. Sims places his weighty horn squarely in ...
