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Article: Album Review

Eric Wyatt: Look To The Sky

Read "Look To The Sky" reviewed by Dan Bilawsky


Look To The Sky is a story of family, navigating the world of jazz, and extolling those who helped light the way. To call it a tribute record would be to frame it inaccurately, but it's most certainly built around the personalized song of praise. Saxophonist Eric Wyatt, a brawny Brooklynite with a ...

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Article: Album Review

Michika Fukumori: Piano Images

Read "Piano Images" reviewed by Dan Bilawsky


Japanese-born, New York-based pianist Michika Fukumori's first two albums--Infinite Thoughts (Key Click Records, 2004) and Quality Time (Summit Records, 2016)--found her comfortably ensconced in piano trio settings. That most time-honored of formats served her well on both, introducing and showcasing a player with a precision touch, sure sense of swing, and imaginative leanings. For this third ...

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Article: Album Review

Mabuta: Welcome To This World

Read "Welcome To This World" reviewed by Dan Bilawsky


If the eyes are the windows to the soul and a portal opening to reality and closing on dreams, then the eyelids can be seen as the gatekeepers to such worlds. Mabuta--a genre-merging band taking its name from the Japanese word for eyelid--has a keen understanding of that concept. Shane Cooper, the mastermind behind this group, ...

3

Article: Album Review

Kait Dunton: TRIOKAIT2

Read "TRIOKAIT2" reviewed by Dan Bilawsky


The form and function of a sequel carries certain opportunities, offering its creator the chance to return to a specific realm, broaden a theme, and further the story set forth in the original. As a result, these types of works are often judged against their launching pad productions and tethered to them by comparison. Call that ...

6

Article: Album Review

Ark Ovrutski: Journey Moments

Read "Journey Moments" reviewed by Dan Bilawsky


In listening to this music, each song, solo, and split-second decision can be defined as a journey moment. Every single one, large or small, plays as a parallel or reflection of life's rich travels, bringing to light thoughts and emotions both firm and fleeting in nature. And in the sum total of them all, where action, ...

5

Article: Album Review

Brian Charette: Groovin' With Big G

Read "Groovin' With Big G" reviewed by Dan Bilawsky


Groovin' With Big G was destined to come about. When a young Brian Charette was cutting his teeth on jazz piano gigs in his home state of Connecticut in the early '90s, he wound up working dates with drummer George Coleman Jr The two struck up a friendship, and Coleman's encouragement helped Charette make the leap ...

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Article: Album Review

Lynne Arriale Trio: Give Us These Days

Read "Give Us These Days" reviewed by Dan Bilawsky


When it comes to the art of the trio, pianist Lynne Arriale is always in her element. Over the past quarter century she's released two riveting handfuls of dates exploring this configuration, only rarely moving afield as on her plainly-titled previous release--Solo (Motema, 2012). Each one of those trio outings stands as its own distinctive work ...

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Article: Album Review

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Dan Bilawsky


The marriage between jazz and poetry is having a true moment in the present artistic sphere. The two have long mixed and mingled, oft proving sympathetic and symbiotic in their multidirectional moves, unique cadences, and improvisational capacities. But never before has the connection been so strong and centralized. With drummer Matt Wilson's triumphant encounter with the ...

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Article: Album Review

JD Allen: Love Stone

Read "Love Stone" reviewed by Dan Bilawsky


Beneath this tough tenor's exterior rests the most tender of spirits. If you need evidence, just spend some time with Love Stone. After carving out his rightful place at the apex with a series of brilliant piano-less trio outings focused on pithy originals, saxophonist JD Allen recently felt the winds of change in ...

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Article: Album Review

Tucker Antell: Grime Scene

Read "Grime Scene" reviewed by Dan Bilawsky


Tucker Antell knows how to make an entrance. The two-minute solo stand that opens Grime Scene finds his stentorian saxophone blowing brusque and fluid across a wide swath. It plays like a strong man's lament-cum-catharsis, but what follows on the same track is something else: a bluesy shuffle with foot tap-inducing properties. This marks the first ...


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