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Matt Davis: Big Family, Big Picture
by Dan Bilawsky
If there's a defining trait to be found in the value system guiding guitarist Matt Davis and his music, it's most definitely a healthy respect and admiration for kith and kin. A love of community and belonging drives nearly every aspect of this artist's life, including his flagship ensemble, Matt Davis' Aerial Photograph, and it speaks ...
The Interplay Jazz Orchestra: On The Sunny Side
by Dan Bilawsky
The third album from The Interplay Jazz Orchestra follows in its predecessors' footsteps, featuring all-original arrangements from musicians in the ranks and highlighting a deep and oft overlooked talent pool that, for the most part, rests east of the Big Apple. As on this group's previous dates, My Love You're Free (Self Produced, 2013) and Detour ...
Jennifer Wharton's Bonegasm: Bonegasm
by Dan Bilawsky
The bass trombone occupies a unique niche, serving as that most powerful of pedal peddlers, the anchor of a big band's brass section, and the ballast stabilizing harmonies. Unfortunately, the instrument also holds status as a seriously pigeonholed force. While you can't argue with the usefulness of its robust, below-the-staff whole notes, this horn is made ...
Paul Jones Quartet: The Process
by Dan Bilawsky
On the surface it can be viewed as somewhat ironic that an album dubbed The Process is actually saxophonist-composer Paul Jones' least process-driven recording. His debut, Short History (Blujazz Productions, 2014), and its brilliant follow up, Clean (Outside In Music, 2017), are, after all, far more focused on procedural formulations and architectural specificity than this quartet ...
Carlos Henriquez: Dizzy Con Clave
by Dan Bilawsky
In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...
Ashley Daneman: People Are Fragile
by Dan Bilawsky
While solidity and vulnerability are at opposite ends of the strength spectrum, they also exist as two sides of the same coin. All that is broken can be put back together, much of what's whole isn't without interstitial breaks, and the human experience is built around the fluid bonds between the two representative emotional extremes connected ...
The Sound Of Progress: Lioness And Ellen Rowe
by Dan Bilawsky
The voices of women who've been marginalized, demeaned, abused, and overlooked will no longer be silenced. The #MeToo and #TimesUp movements have pulled the curtains back on deplorable actions and practices that have run rampant in all corners of society, the jazz world being no exception. With scandals airing out hidden truths at the Berklee College ...
South African Saliency: Reza Khota, Carlo Mombelli, Andrew Lilley, and Mandisi Dyantyis
by Dan Bilawsky
As sure as the sun will shine on Chapman's Peak and the winds will sweep over Table Mountain, South Africa will continue to flourish and birth new music worthy of worldwide attention. The West may typically pay little to no mind to South African jazz and the artists who shape it, but that has yet to ...
Chuck Redd: Groove City
by Dan Bilawsky
How do you get into the zone, where do your thoughts travel, and what realm do you occupy when playing and recording? The answer to that multi-pronged question, while no doubt slightly different for every musician, can be boiled down fairly easily. To paraphrase Chuck Redd's thoughts on the matter, you just appreciate the moment and ...
Lewis Porter: Piano Solo
by Dan Bilawsky
The solo format is, quite often, a window into an artist's soul. For Lewis Porter, performing all by his lonesome at the piano, it also serves as a showcase for a tripartite balancing act between patience, impulse, and calculated intellect. In an autonomous state, left to his own devices and desires, this pianist-scholar produces music that's ...
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