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Harry Skoler: Two Ones
by Dan Bilawsky
Two Ones--the title of clarinetist Harry Skoler's fourth CD--clearly alludes to the musical rapport between Skoler and vibraphonist/pianist Ed Saindon, in addition to referencing the way the album is divided into quintet and duo recordings. Skoler and Saindon have been working together for more than fifteen years and have developed a deep musical connection during that ...
Gia Notte: Shades
by Dan Bilawsky
Margie “Gia" Notte's debut recording, Just You, Just Me & Friends--Live at Cecil's, (GNote Records, 2009) was an exciting standards-based journey. Her follow-up, Shades, also finds her interpreting some well-worn songs but the delivery and the arrangements make this more than a run-of-the-mill recording. While the adrenaline-fueled excitement from her live recording is hard to match ...
Anne Drummond: Like Water
by Dan Bilawsky
Listening to vibraphonist Stefon Harris's outstanding African Tarantella (Blue Note, 2006), flautist Anne Drummond's work can often fly under the radar. Her importance on these recordings, however, can't be overstated: she often provides the textural glue that makes the group gel, and the only reason her fine flute work might not be more obvious is because ...
Paquito Hechavarria: Frankly
by Dan Bilawsky
Pianist Francisco “Paquito" Hechavarría might be best known for his work on Gloria Estefan's “Conga," but that record barely scratches the surface in showing what he's capable of playing. Smoking tumbao-based patterns seem to be embedded in his musical DNA: Hechavarría grew up in pre-Castro Cuba and soaked up the rhythms and sounds of his native ...
Barry Harris: Setting The Standard On Standards
by Dan Bilawsky
The Barry Harris Trio Iridium New York, NY February 4, 2010Barry Harris has been a major force in jazz and jazz education for well over half a century. Now in his 80s, Harris seems to have lost none of his charm, wit, knowledge and skill, as he clearly held the crowd ...
Tobias Gebb & Unit 7: free at last
by Dan Bilawsky
New York-based drummer Tobias Gebb assembled a stellar cast for free at last. The format of Unit 7 follows the instrumentation tradition of Art Blakey's Jazz Messengers. The three-horn frontline and three-man rhythm section allows this group to sound bigger than it is at times, while also having the flexibility to make things more intimate. Gebb ...
Emilio Solla & The Tango Jazz Conspiracy: Bien Sur!
by Dan Bilawsky
"Tango Jazz," like virtually every other genre-descriptor, is a convenient tag used to categorize what, ultimately, is better understood through listening. Emilio Solla, along with musicians like Pablo Aslan and Pablo Ziegler, are at the forefront of this style. Solla says it best when he explains that the “tango" portion of the title usually refers to ...
David Gibson: A Little Somethin'
by Dan Bilawsky
Trombonist David Gibson arrived in New York in 1999 and wasted no time making his presence felt. Work with the Dizzy Gillespie Alumni Big Band, Slide Hampton, the Hot Pants Funk Sextet and a string of leader dates for Nagel-Heyer Records helped to cement his reputation in the New York jazz community and beyond. A Little ...
Mike Clark: Blueprints of Jazz, Vol. 1
by Dan Bilawsky
When Mike Clark's name comes up in conversation, most people recall his brilliant playing and funk fusion grooves on Herbie Hancock's Thrust (Columbia/Legacy, 1974). While “Actual Proof" and a slew of other terrific tracks have cemented Clark's reputation as a drummer with chops to spare, this particular period of his musical life has often pigeonholed him. ...
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