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Thomson Kneeland: Mazurka For A Modern Man
by Dan Bilawsky
It wouldn't be unusual to think that the mastermind behind Mazurka For A Modern Man played trumpet or guitar. While bassist Thomson Kneeland wrote eight of these compositions, which touch on everything from Balkan folk music and klezmer, to chamber music and indie rock, he often lurks in the background while guitarist Nate Radley and trumpeter ...
Brandon Wright: Boiling Point
by Dan Bilawsky
The word tenor, in Latin, refers to “a continuous holding to a course," and tenor saxophonist Brandon Wright does just that on Boiling Point. Whether Wright is engaging in a musical boxing match with trumpeter Alex Sipiagin or crooning over pianist David Kikoski on an established ballad, he always seems to maintain a consistent musical presence ...
Libor Smoldas: In New York On Time
by Dan Bilawsky
Guitarist Libor Šmoldas is a known entity within the Prague jazz scene, but In New York On Time should help him to significantly expand his fan base beyond the borders of the Czech Republic. While Šmoldas has largely worked with Czech musicians in a variety of groups, including his trio and quartet which focus on his ...
Dave Glasser: Evolution
by Dan Bilawsky
Alto saxophonist Dave Glasser might have been born at the wrong time. While he is performing and recording some terrific music in the 21st century, his stylistic preferences lean heavily on the music of the 1940s and '50s. Glasser spent ample time over the past two-plus decades performing with Clark Terry, Illinois Jacquet, and Barry Harris, ...
Playdate: Playdate
by Dan Bilawsky
While children spend after school-hours and weekends working on homework and spending time with their families, they also have play dates. They get together with other like-minded friends to let loose and blow off some steam. Musicians often do the same thing and, appropriately enough, three of the five performers on Playdate have been friends since ...
Dan Dean: 2 5 1
by Dan Bilawsky
Dan Dean 2 5 1 Origin Records 2010 Bassist Dan Dean leaves no stone unturned when it comes to his knowledge and involvement in the world of music. His work as a producer and engineer, along with his development of the Dan Dean Sample Libraries, demonstrates his affinity ...
Jean-Michel Pilc: A Portrait & True Story
by Dan Bilawsky
If pianist Jean-Michel Pilc hadn't become a musician, he might have had a brilliant career as a philosopher or historian. Throughout John McCormick's film, Jean-Michel Pilc: A Portrait, which highlights Pilc's music and his thoughts on music and art, Pilc doles out grains of truth that are brilliant in their simplicity and speak directly to his ...
Adriano Santos: In Session
by Dan Bilawsky
Drummer Adriano Santos brings the rhythms of Brazil to the Big Apple when he performs. Santos, originally from São Paulo, has been an essential part of the jazz scene in New York since he moved there in 1995. His crisp, authentic and creative grooves have made him a first call drummer for Hendrik Meurkens, Vinicius Cantuaria, ...
Ben Goldberg's Bag: Tin Hat & Go Home
by Dan Bilawsky
Ben Goldberg's music has never followed a set course or formula and the forward-thinking clarinetist always sticks to his guns when making artistic decisions. This has often resulted in positive press for his innovative work and it appears to have propelled him to take control of his own destiny. BAG Production Records is Goldberg's new, self-created ...
Dan Pratt: Toe The Line
by Dan Bilawsky
Toe The Line does far more than its name implies. Saxophonist Dan Pratt has put together a record that, while loyal to the “small organ group" tradition, also manages to cover broad stylistic ground. Within this category, certain norms or standards seem to be expected in the music: Jimmy Smith's records provide a grooving and intense ...
