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James Blood Ulmer: In And Out
by Dan Bilawsky
The title of this record is simultaneously a tip of the hat toward the record label which released it and an appropriate explanation of the music contained within. James Blood Ulmer's sound resides at the crossroads where Jimi Hendrix's blues-rock collides with Ornette Coleman's music; where gutsy blues songs meet the avant-garde. His voice bears some ...
Eric Felten: Seize The Night
by Dan Bilawsky
Wycliffe Gordon and Vincent Gardner are two of the best trombone players in the world, and both men also sing, on occasion, with wonderfully soulful voices. Eric Felten, on the other hand, is a crooner who also plays a mean trombone, and does both equally well on Seize The Night. Felten established himself as a fine ...
Dr. Lonnie Smith: Spiral
by Dan Bilawsky
Vitality and age might be normally be at odds with one another, but not when discussing Dr. Lonnie Smith--the inimitable organ shaman of the modern soul-jazz epoch. Whether turning in clever takes on the music of indie rocker Beck, recasting familiar standards in his organic organ mold or shaping his own compositions to his liking, Smith ...
Odean Pope: Odean's List
by Dan Bilawsky
Odean Pope Odean's List In+Out Records 2009 Saxophonist Odean Pope is probably one of the most underappreciated jazz musicians of his generation. While Pope is most often cited for his long tenure with drummer Max Roach, his own recordings--from trio outings to his explosive saxophone choir albums--show a tough-toned tenor ...
Justin Janer: Following Signs
by Dan Bilawsky
While people might want to pigeonhole alto saxophonist Justin Janer as a Latin jazz player, Following Signs paints him as a musician and composer with a broad outlook that goes past generic stylistic markers. Janer occupied the lead alto chair when percussionist Bobby Sanabria delivered the goods with the Manhattan School of Music's Afro-Cuban Jazz Orchestra ...
Dana Lauren: It's You Or No One
by Dan Bilawsky
At the age of 21, vocalist Dana Lauren has a command of her instrument that many professional singers twice her age would envy. Lauren has a voice that's one part Roberta Gambarini and one part Diana Krall, with a dash of soul thrown in to spice things up, and she puts it good use on this ...
Wayne Brasel: If You Would Dance
by Dan Bilawsky
Guitarist Wayne Brasel's music reflects the West Coast lifestyle--or at least the stereotype that most people have of sunny California living. His clear, cleanly articulated guitar lines speak of gentle evenings by the water, and he has assembled a great cast of musicians to help shape these languorous compositions. Brasel and Peter Erskine have been acquainted ...
Bill Carrothers: Joy Spring
by Dan Bilawsky
Tribute albums often come in the form of imitative musical gestures from musicians of a like-instrument--such as a saxophonist paying tribute to John Coltrane by trying to copy his style or specific mannerisms. But pianist Bill Carrothers has crafted a different type of homage with Joy Spring, using the piano trio format to flesh out some ...
Maria Neckam: Deeper
by Dan Bilawsky
The music of vocalist Maria Neckam defies easy categorization. Neckam, a native Austrian living in New York since 2005, has never subscribed to the idea of belonging to one specific subset of the music world. She has brought her unique vocal talents into rock realms, classical settings, modern jazz and various other arenas and her voice ...
Beat Kaestli: Invitation
by Dan Bilawsky
The Great American Songbook is something of a repertoire Bible for jazz vocalists, regardless of whether or not they originally hail from America. Vocalist Beat Kaestli was born in Switzerland, but he made New York his home after arriving to attend the Manhattan School of Music in the early 1990s. Since that time, his music has ...
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