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16

Article: Interview

Nathaniel Cross: Deep Vibrations

Read "Nathaniel Cross: Deep Vibrations" reviewed by Chris May


At the time of writing in summer 2021, there are a number of super-talented musicians on London's alternative jazz scene who deserve far more prominence than they have yet to achieve. Some of these players have been ill-served by their record labels. Others have only recorded as sidepersons. A few have chosen to confine their music-making ...

2

News: Recording

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...

1

Article: Radio & Podcasts

Spike Wilner, Curtis Fuller & Sarah McKenzie

Read "Spike Wilner, Curtis Fuller & Sarah McKenzie" reviewed by Joe Dimino


Our 701st Show begins with Sarah McKenzie and a great tale from the quarantine. The result is her single “Schneller." We continue to watch the world of music open up with live shows and Spike Wilner is leading the charge. He has new music with his 2021 CD Aliens & Wizards. We continue to profile musicians ...

16

Article: Album Review

Carlos Vega: Art of the Messenger

Read "Art of the Messenger" reviewed by Jack Bowers


In case you didn't quite catch the “message" subtly embedded in the title of Chicago-based tenor saxophonist Carlos Vega's new recording, Art of the Messenger, here is a brief reminder that it was drummer Art Blakey who formed the Jazz Messengers in the mid-1950s and led the celebrated hard-bop ensemble until his death in 1990. The ...

Album

Dial "S" for Sonny

Label: Blue Note Records
Released: 2020
Track listing: Dial “S” for Sonny; Bootin’ It; It Could Happen to You; Sonny’s Mood; Shoutin’ on a Riff; Love Walked In; Bootin’ It (alternate take).

43

Article: Building a Jazz Library

Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water

Read "Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water" reviewed by Chris May


A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...

9

Article: Interview

Joe Farnsworth: Friends In High Places

Read "Joe Farnsworth: Friends In High Places" reviewed by R.J. DeLuke


Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...

48

Article: Building a Jazz Library

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May


There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

47

Article: Building a Jazz Library

Riverside Records: An Alternative Top Ten

Read "Riverside Records: An Alternative Top Ten" reviewed by Chris May


From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...


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