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181

Article: Album Review

Richard Pinhas: Metal/Crystal

Read "Metal/Crystal" reviewed by Mark Corroto


The music of Metal/Crystal is loud and scary. It is not oxymoronic to call Richard Pinhas' creation the noisiest ambient record this year. The guitarist, perhaps the French equivalent to Robert Fripp, has been making music for 30 years, first with the electronic rock band Heldon, then as a solo act, extending ambient music with his ...

295

Article: Album Review

Jason Robinson: The Two Faces of Janus

Read "The Two Faces of Janus" reviewed by Troy Collins


Currently serving as Assistant Professor of Music at Amherst College in Massachusetts, multi-reedist Jason Robinson originally obtained his Ph.D. in music from the University of California. A promising new arrival to the East Coast scene, Robinson's academic background imbues his episodic writing with an organically cohesive sensibility, while his years spent co-leading the longstanding bicoastal ensembles ...

289

Article: Album Review

Hugh Hopper: The Gift of Purpose

Read "The Gift of Purpose" reviewed by Mark Redlefsen


Posthumously released under the name of late ex-Soft Machine/Soft Machine Legacy bassist Hugh Hopper, The Gift of Purpose captures a live studio performance from early 2008, featuring a trio project called Bone, along with guitarist Nick Didkovsky and drummer John Roulat. Rreleased as a benefit for Hopper's family--to which all proceeds of the sale of the ...

Article: Album Review

Ideal Bread: Transmit - Vol. 2 of the Music of Steve Lacy

Read "Transmit - Vol. 2 of the Music of Steve Lacy" reviewed by AAJ Italy Staff


Un sax baritono, “tubo" intrinsecamente privo di quell'allusività, quella magica obliquità, che dimorano invece generose nelle pieghe della musica di Steve Lacy, sta al centro di questo nuovo omaggio del quartetto newyorchese al grande sopranista, di cui viene riletta una manciata di temi solo in parte fra i suoi più alti (mancano - anche dal precedente ...

279

Article: Album Review

Univers Zero: Clivages

Read "Clivages" reviewed by Glenn Astarita


Belgian-based chamber-rock pioneer Univers Zero's Clivages is a polytonal and multidimensional sojourn that follows suit with dabs and expansions of its comprehensive discography hearkening back to the late 1970s. The band often aligns dark sensibilities with glimmer, gusto and melodic choruses. “Retour de Foire," serves as a classical interlude among the absorbing, intricate ...

316

Article: Album Review

Soft Machine: NDR Jazz Workshop –Hamburg, Germany 1973

Read "NDR Jazz Workshop –Hamburg, Germany 1973" reviewed by Nic Jones


By May, 1973, Soft Machine was well on its way from being a truly remarkable outfit to being a comparatively anonymous fusion band. This CD and DVD set goes to show this, but at least the music is played with the kind of fire that wasn't apparent on their studio albums of the time.

225

Article: Album Review

Univers Zero: Clivages

Read "Clivages" reviewed by Nic Jones


It's no small achievement for a band to be around for over thirty years and still sound distinctive, but the Belgian Univerz Zero manages the feat with no sign of strain. Over that time, the group has cleaved pretty closely to its original template, which can only be described as chamber music for a dark, forbidding ...

149

Article: Album Review

New York Art Quartet: Old Stuff

Read "Old Stuff" reviewed by Nic Jones


Hindsight can be a wonderful thing. For instance, if this music is imbibed with a measure of it, it's possible to hear that the frontline of trombonist Roswell Rudd and saxophonist John Tchicai is one of the most distinctive in improvised music of recent decades. Rudd enjoyed, of course, a similar musical relationship with Steve Lacy, ...

655

Article: Extended Analysis

Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973

Read "Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973" reviewed by John Kelman


Every year it seems that more archive material is unearthed from Soft Machine, the legendary British group that began life in Dadaist psychedelia, but wound down as a powerhouse, chops-centric, fusion outfit at the end of the 1970s, with stops in more complex writing and free jazz territory along the way. As influenced by minimalist composers ...

488

Article: Album Review

The Claudia Quintet: Royal Toast

Read "Royal Toast" reviewed by David Adler


With one exception, drummer John Hollenbeck hasn't taken prominent front-cover credit on releases by The Claudia Quintet. This holds true for Royal Toast, the band's extraordinary fifth album. The decision makes sense, for Hollenbeck's labyrinthine compositions get much of their subtlety and force from the individual players that have defined the group's identity from the start. ...


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