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Chicago/London Underground: A Night Walking Through Mirrors
by Vincenzo Roggero
Per festeggiare i vent'anni di attività il Chicago Underground Duo declina la sua ennesima versione e ci lascia un ulteriore testimonianza di potenza creativa, di visionarietà e di musica tout-court di altissimo livello. Nell'aprile 2016, durante una due giorni di esibizione al Cafè Oto di Londra Rob Mazurek e Chad Taylor invitano sul palco John Edwards ...
Chicago / London Underground: A Night Walking Through Mirrors
by Barry Witherden
Rob Mazurek is a remarkable musician, with a rare breadth and depth of expression. Off-hand, the only artist I can think of who possesses a similar emotional profile is Wadada Leo Smith. Like Smith, Mazurek can sear your ears and nerves one minute and soothe your soul the next, without any sense of strain or contrivance ...
What’s In A Name: Cuneiform
Curious about the name of a small, imaginative jazz record company called Cuneiform, I asked Joyce Feigenbaum, the company’s publicist, who is married to the owner, how the label’s name came about. This is her reply: I’m actually an art historian by academic training (B.A. & M.A.), not an archeologist, a modernist. BUT I’m not the ...
Cheer-Accident: Putting Off Death
by Glenn Astarita
This Chicago-based prog rock unit incorporates seamless genre-hopping movements on its 18th album and third for Cuneiform Records. Clocking in at a little over 38-minutes, the musicians provide upper-tier compositions, sans any hint of filler material as opposed to cramming the maximum allowable bits and bytes into the standard CD limitations. Thankfully, each piece stands on ...
Bubblemath: Edit Peptide
by Glenn Astarita
Edit Peptide is the follow-up to Minnesota-based Bubllemath's Such Fine Particles Of The Universe (Sounds Reasonable, 2002); hence, a 15-year gap purportedly due to the customary anomalies and distractions of life. But the musicians have come back with a raging vengeance via this excitable album, underscored by the prevailing math-rock component, leading to high-impact works tinted ...
Microscopic Septet: Been Up So Long It Looks Like Down to Me, Jazz Passengers: Still Life with Troube, Papanosh: Chicken in a Bottle
by Vic Albani
Non credo che i puristi del caso si possano stupire di una recensione tripla che non vuole porre in contrapposizione tre lavori discografici afferenti ad una similare idea di base, bensì presentarli entro un unico pacchetto di meraviglie contemporanee." Anche perché questi tre dischi potrebbero essere certamente acquistati ad occhi bendati quale brillante testimonianza di alcune ...
Thinking Plague: Hoping Against Hope
by Glenn Astarita
Thinking Plague has been an enigmatic genre defying progressive rock ensemble for 35-years. They span the gamut of a simmering stew, consisting of art-rock, anti-pop, progressive rock, free jazz and segments when acting like doomsday soothsayers led by vocalist Elaine di Falco's whispery but at times, imposing musical presence. Mike Johnson is the primary composer, lyricist ...
The Great Harry Hillman: Tilt
by Karl Ackermann
The Great Harry Hillman formed a little more than one hundred years after its American namesake won three gold medals in the 1904 Summer Olympics. Despite the naming convention, the group is Lucerne-based and not yet well-known on this side of the Atlantic. The quartet is a collective effort in composition and performance, and that democratic ...
Chicago / London Underground: A Night Walking Through Mirrors
by Glenn Astarita
Rob Mazurek (cornet, sampler & electronics) and Chad Taylor (drums, mbira & electronics) represent the Chicago delegation, aligning within Londoners Alexander Hawkins (piano) and John Edwards (bass) for a meeting of the experimental jazz minds on this exuberant live set. Hence, these prominent improvisers and progressive jazz laureates execute a surfeit of soul-jarring motifs, spiced with ...
Microscopic Septet: Been Up So Long It Looks Like Down to Me: The Micros Play the Blues
by Troy Dostert
Since its inception, the Microscopic Septet has endeavored to uphold co-founder Phillip Johnston's motto to break all the rules and respect all the saints." Coming out of New York's internecine jazz wars of the early 1980s, with avant-gardists and traditionalists each denying the other side's legitimacy, the Micros tried to bridge the divide: showing that respect ...


