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Jackie Cain & Roy Kral: A Wilder Alias
by Chris May
Jackie Cain & Roy KralA Wilder AliasCTI Masterworks2011 (1974) Producer Creed Taylor's 1970s' label, CTI, has had a controversial history. Some of its detractors, averse to the lush sound and embrace of fusion, have been reluctant even to recognize CTI as a jazz label. The New Grove ...
Randy Weston: Blue Moses
by Chris May
Randy WestonBlue MosesCTI Masterworks2011 (1972) Sony's program of reissues from CTI--the label set up by producer Creed Taylor in the late 1960s, post Impulse!, which he also founded, and post Verve, where he had moved on leaving Impulse!--continues with one of the brightest jewels in the CTI ...
George Benson: Body Talk
by Dan Bilawsky
With a title like Body Talk, and a lead-off track called “Dance," George Benson--a guitar-god-on-the-rise when this album originally hit shelves in 1973--makes it clear that this music is all about feeling the groove. While a good number of Benson projects on CTI benefited from Don Sebesky's arrangements, the guitarist needed a funkier feeling for this ...
Chet Baker: She Was Too Good To Me
by Chris M. Slawecki
Newly reminted in 2010's CTI Masterworks series, She Was Too Good To Me was originally Chet Baker's 1974 “comeback album," his first recording since a well-publicized mugging by junkie acquaintances (hardly “friends") that relieved the singer and trumpet player of his money, dope and most of his teeth. “Believe me," Baker once observed, “when a trumpet ...
Voices Instrumental in Jazz
by Chris M. Slawecki
Natacha AtlasMounqalibaSix Degrees Records2010 Vocalist Natacha Atlas seems to embody the modern musical millennia: She was born in Brussels and raised in one of its Moroccan suburbs; her compositions and singing reach into and crisscross storied European and Arabic musical traditions. Primarily co-written ...
Don Sebesky: Giant Box
by Dan Bilawsky
It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...
Stanley Turrentine: Salt Song
by Dan Bilawsky
Stanley Turrentine's Sugar (CTI, 1970) has always stood out as the defining album in the tenor saxophonist's post-Blue Note discography, but that recording only marked the beginning of his beautiful relationship with Creed Taylor's CTI imprint. Turrentine's time with the label spanned the first half of the '70s and produced a few other winning albums that ...
CTI Records 40th Anniversary Celebration Continues
MASTERWORKS JAZZ continues the celebration of the 40th anniversary of CTI Records, the beloved jazz label founded in 1970 by producer Creed Taylor with the release of 4 more classic reissues available on April 12, 2011. They include: George Benson's Beyond the Blue Horizon, Freddie Hubbard's First Light, Don Sebesky's Giant Box and Stanley Turrentine's Salt ...
Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...
The Guitar Stylists of CTI Records
by Dan Bilawsky
In many ways, the guitarists who recorded for the CTI label owe a great debt to the late Wes Montgomery. Guitarist Montgomery's last recordings, before his untimely death from a heart attack, were like a laboratory test for producer Creed Taylor. At the time, Taylor was still trying to work out a formula to balance the ...
