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Youn Sun Nah, Herb Geller, Mark Masters and More
by Jerome Wilson
This show features, among other things, vocals from Youn Sun Nah and Susanne Abbuehl, saxophone from Herb Geller and Melissa Aldana, and big band work from Mark Masters and William Parker. Playlist Henry Threadgill Sextett “I Can't Wait To Get Back Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air ...
Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard
by Ian Patterson
The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...
Rob Mazurek Exploding Star Orchestra: Lightning Dreamers
by Mark Corroto
The similarities between Rob Mazurek's Exploding Star Orchestra and Sun Ra's Arkestra are numerous. Both leaders travel the spaceways via the technologies available in their time, applied through dynamic rhythm and pulse. For Ra, his sound began when he was an apprentice in Fletcher Henderson's band in the 1940s, and Mazurek's 1990s work revolved around Isotope ...
David Binney: Barefooted Town
by Josef Woodard
Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heard—playing up his suits as composer and ...
Chris Potter: Got The Keys To The Kingdom (Live At The Village Vanguard)
by Chris May
There is a lot of heavy ordnance going off during this album. Indeed, the incoming only lets up once, and then briefly, during a performance of Billy Strayhorn's “Blood Count" at the halfway point. For the rest of the sixty-one minutes playing time, the watchword is eruptive. But no PPE is required. The barrage is benign. ...
2023 Winter JazzFest Marathons: A Survival Guide
by Ludovico Granvassu
The fact that New York City's Winter JazzFest (WJF) is back to in-person performances may very well be among the most meaningful signs, at least for jazz die-hards, that life is returning to normal. The overall number of concerts may not be as high as in the past, with the 170+ performances of 2020 ...
Vestard Shimkus / Endless Roar: Acclivity
by Vitalijus Gailius
Endless Roar is one of the most vivid bands in the recent Latvian improvised music scene. Formed in 2014 the trio, saxophonist Arvydas Kazlauskas, double bassist Stanislav Yudin and drummer Jachin Pousson, ventured through various genres (e.g. ambient, electroacoustic, rock etc.) before diving into free improvisation. In 2021 Endless Roar met up with internationally acclaimed classical ...
Interpret It Well
By Ches Smith
Label: Pyroclastic Records
Released: 2022
Track listing: Trapped; Interpret It Well; Mixed Metaphor; Morbid; Clear Major; I Need More; Deppart.
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
