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791

Article: Opinion

Remembering Michael: Help Me Sing It

Read "Remembering Michael: Help Me Sing It" reviewed by Chris M. Slawecki


“Lift your head up high / And scream out to the world I know I am someone / And let the truth unfurl Ain't no one can hurt you now / Because you know what's true Yes, I believe in me / So you believe in you Help ...

2,099

Article: Big Band Report

"A Swingin' Affair" Outshines Its Name

Read ""A Swingin' Affair" Outshines Its Name" reviewed by Jack Bowers


With an appreciative bow and genial tip of the hat to the late Chairman of the Board, Frank Sinatra, the Los Angeles Jazz Institute named its semi-annual big-band soiree May 21-24 at the Sheraton LAX Four Points Hotel “A Swingin' Affair." Was the event able to live up to its name? In the immortal words of ...

552

Article: Profile

Snooky Young

Read "Snooky Young" reviewed by Rex  Butters


When they called Eugene Edward Young up to the podium to receive his 2009 NEA Jazz Master's award, he was called by his professional name, Snooky. “I don't know how I got it," he said. “It started when I was a real little kid. I don't know where it came from. It used to be Snookum ...

846

Article: Profile

Krzysztof Komeda: Poet of the Piano

Read "Krzysztof Komeda: Poet of the Piano" reviewed by Jakob Baekgaard


To this day, the influence of Polish composer and pianist Krzysztof Komeda (1931-1969) can be felt in the works of contemporary artists like Marcin Wasilewski and, of course, in the music of his former trumpeter, Tomasz Stanko. It isn't too much to say that Komeda transformed the landscape of European jazz by the way he re-conceptualised ...

481

Article: Album Review

Scotty Barnhart: Say It Plain

Read "Say It Plain" reviewed by Woodrow Wilkins


After many years as part of the supporting cast, Scotty Barnhart is taking that step forward as lead actor. The trumpeter mixes old and new, in varying styles, with his debut, Say It Plain. Barnhart spent 17 years as featured trumpet soloist with the Count Basie Orchestra and was also part of the Marcus ...

3,706

Article: Take Five With...

Take Five With Charlie Harrington

Read "Take Five With Charlie Harrington" reviewed by AAJ Staff


Meet Charlie Harrington: The consummate Charlie Harrington has been playing drums since the age of five and has played professionally since the age of 15. He studied with Ray Bauduc for two years and later with Tim Tull and went on to finish First Place in the Slingerland/Louie Bellson National Drum Contest.

276

Article: Album Review

Scotty Barnhart: Say It Plain

Read "Say It Plain" reviewed by Warren Allen


Jazz tradition is a tricky thing. Play too far within it, and there's the risk of being called limited or unimaginative. Venture too far away, and critics worry more about finding a label than hearing the sound. It leads to headaches and debates, which trumpet player Scotty Barnhart avoids completely with a debut album that is ...

267

News: Award / Grant

National Endowment for the Arts Announces the 2010 NEA Jazz Masters

National Endowment for the Arts Announces the 2010 NEA Jazz Masters

Nation's highest honor in jazz is bestowed on eight living legends Washington, DC - The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award -- the nation's highest honor in this distinctly American music. The eight recipients will each receive a $25,000 grant award and be publicly honored ...

742

Article: Interview

J.D. Walter: Being a Verb

Read "J.D. Walter: Being a Verb" reviewed by Victor L. Schermer


J.D. Walter is a jazz singers' singer--a purist and an innovator. Although his style has been compared to many vocal titans, it is in the same breath, uniquely his own, and he has become a singular phenomenon on the music scene. Respected and lauded by the great musicians of the contemporary circuit, ...

434

Article: Album Review

Sex Mob: Sex Mob Meets Medeski

Read "Sex Mob Meets Medeski" reviewed by Lyn Horton


The two-minute “Mob Rule Invocation," which starts Sex Mob Meets Medeski, is enough to turn the tables on conventional jazz quintet genre, pointing the way to bridge the gap between the melodic and music that is so squarely and pristinely raucous that its intention is measurable in the fun the musicians are clearly having. Recorded live ...


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