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James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Mark Kleinhaut, Nat Janoff, Guillermo Bazzola, and Shan Arsenault
by Dom Minasi
Welcome back to Guitarists Rendezvous, our second installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
StLJN Saturday Video Showcase: Remembering "The Kid from Red Bank"
Longtime StLJN readers know that it doesn't take much prompting to get yr. humble editor to start posting Count Basie videos, and this week, we're using Jazz St. Louis' upcoming “Basie's Birthday Bash" as an excuse for getting down with the Count. Scheduled for Friday, August 21 and Saturday, August 22 at Jazz at the Bistro, ...
Debby Moore: My Kind Of Blues
by James Nadal
For the record hounds (you know who you are) out there that seek and scavenge the garage sales and flea markets for old albums, there is such a thing as redemption. After scoring My Kind Of Blues by singer Debby Moore at a flea market for one dollar, further research revealed a mysterious back story with ...
Interview: Mrs. Shelly Manne
Flip Manne, Shelly Manne's wife, was born in 1921 in Vermont, rode horses and took dance lessons from an early age. In 1939, she moved to New York and eventually took a job dancing at the Roxy Theatre. She soon auditioned at Radio City Music Hall and won a position in the fabled Rockettes, who back ...
Mingus Speaks
by John Goodman
Mingus on the Avant-Garde and Tradition Here's Charles Mingus talking about two of his favorite subjects, the avant-garde pretenders and the need for jazz players to understand the traditions of their music. The excerpt is from my book Mingus Speaks (2013, University of California Press). --John F Goodman Mingus: Everybody's got ...
Steve Smith: Drummer For All Seasons
by R.J. DeLuke
Drummer Steve Smith has traced the history of jazz drumming--pretty much most of American music drumming--in his storied career that has seen him drive big bands, small jazz combos, and fiery fusion groups, including tenures with Jean Luc Ponty and the rock band Journey. Though sometimes--as in the case of jazz-rock fusion--he was thrown ...
Ron Aprea: Ron Aprea Pays Tribute to John Lennon and the Beatles
by Nicholas F. Mondello
The John Lennon-Paul McCartney canon has been recorded by everyone with the possible exception of “Honey Boo Boo" and “Mini Me." Some of those efforts are feckless attempts at moving the popular-genre so far away from its source it is laughable. Saxophone artist, Ron Aprea had the unique opportunity (along with trumpeter Steve ...
Jazz Legends, in Their Words
Yesterday, producer Tommy LiPuma sent along a link to a documentary from the BBC featuring interviews with jazz legends Louis Armstrong, Lil Hardin, Duke Ellington, Count Basie, Dizzy Gillespie,Oscar Peterson and Ella Fitzgerald. The display is a bit pinched on the sides, but the joy and the music come through just the same. Here's the documentary... ...
Count Basie in London, 1965
On Sept. 18, 1965, Count Basie was in the U.K. touring when the band appeared on the BBC's Show of the Week. Basie's New Testament band was in peak '60s form, and the show aired Nov. 11 of that year. Here's the band: Wallace Davenport, Sonny Cohn, Al Aarons and Phil Guilbeau (tp); Grover Mitchell, Henderson ...
