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Frank Sinatra: Myth, Reality and a Critic Standing in Line at Arby’s
by S.G Provizer
The mere act of re-releasing a 1960 Frank Sinatra album speaks to the fact that his name still creates ripples when tossed into the cultural pond; still has the power to inspire a reaction when other other vocal stars of yore have receded into distant memory. An ocean of ink has been spilled in portraits and ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Tom Lawton: Not Less Than Everything
by Victor L. Schermer
Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...
Denys Baptiste: Pathfinder For The New London Jazz
by Chris May
Bandleader, composer and educator Denys Baptiste is among the generation of musicians, many of them of Caribbean or African heritage, who pointed the way for the younger players who have emerged on the London jazz scene since around 2015. Baptiste's contemporaries include saxophonists Jason Yarde, Soweto Kinch, Steve Williamson and Courtney Pine, and trumpeter Byron Wallen, ...
Jazz for James Bond and other Secret Agents, Spies and Detectives - Part 1
by Ludovico Granvassu
For a reason or another, movies about detectives, secret agents or spies have gone mano a mano with jazz, and so this week we'll feature jazz inspired by adventurous characters. In this first segment, the focus is on James Bond and how anyone from Louis Armstrong and Count Basie to Bill Frisell, Dave Douglas and Steven ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Hedvig Mollestad: Ekhidna
by Gareth Thompson
In 2003, the English writer John Murray published his Booker Prize-listed novel Jazz Etc. It narrated the life and times of a female guitarist, the improbably named Fanny Golightly, from working class Cumbria. One observer in the story describes Golightly's playing thus: “I suppose jazz is the only name for it. It was as delirious as ...
Muriel Grossmann: Reverence
by Chris May
Since the late 1990s, the Spanish island of Ibiza has been synonymous with two things: electronic dance music and 3,4-Methylenedioxymethamphetamine aka MDMA or ecstasy. Austrian-born saxophonist Muriel Grossmann has lived on Ibiza since 2004 and her intense wall-of-sound style of astral jazz suggests she is familiar with both those pillars of Ibizan nightlife. ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
