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Roxana Amed: More To Be Heard
by R.J. DeLuke
Relaxed and casual, speaking via Zoom from her mother's home in Buenos Aires, singer Roxana Amed--of the smoky, sultry voice and soulful delivery--reflected on where her musical path has taken her. A native of that city, she moved to Miami in 2013 when her spouse had been offered a good job. Acclimating to the ...
International Sweethearts of Rhythm: una big band di donne afroamericane nella società sessista degli anni Quaranta.
by Maurizio Zerbo
Il genio creativo di Mary Lou Williams nell'era dello swing costituisce la punta di diamante della creatività jazzistica femminile, la cui storia è tutta da riscrivere. La presunta mancanza di forza fisica, abilità strumentale, senso dello swing fu alla base sello scetticismo della comunità jazzistica nei confronti delle donne, relegate al ruolo di vocalist in brani ...
Ian Charleton Big Band: A Fresh Perspective
by Jack Bowers
After earning a master's degree in Jazz Studies from the University of North Texas, saxophonist Ian Charleton thought it might be a good idea to join a service band for a short time. He wound up in the Navy and, as of 2020, had spent two decades leading, playing in, touring the world and writing for ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
Kevin Sun: (Un)seaworthy
by Jerome Wilson
Kevin Sun brings a fresh energy and and sense of adventure to the saxophone trio format on this CD. In the company of bassist Walter Stinson and drummer Matt Honor, he plays around with tone, rhythm and tempo, creating exciting music which blends the traditional and the experimental. Sun's sax tone on “Seaworthy (Unseaworthy)" ...
Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
New Releases From Yoko Miwa and Dave Stryker Plus A Valentines Salute to Blanche Calloway
by Mary Foster Conklin
This Valentines Day broadcast includes new releases from pianist Yoko Miwa, vocalists Ada Bird Wolfe, Valentina Marino, Laila Biali and guitarist Dave Stryker, plus birthday shout outs to Blanche Calloway, Carmen Staaf and Sharel Cassity, among others. Also remembered was vocalist and educator Carol Fredette. Thanks for your continued support. Please help all of these fine ...
Billie
by Ian Patterson
Billie New Black Films 96 minutes 2020 A victim of her own self-destructive excesses is a common trope when assessing Billie Holiday. Yet James Erskine's handsome documentary Billie makes a convincing case for Holiday—arguably the greatest of all jazz singers—as more a victim of poverty, racism, manipulation and brutal misogyny. ...
Pianist Lisa Hilton Releases More Than Another Day with Rudy Royston and Luques Curtis on Ruby Slippers Productions
More Than Another Day (Ruby Slippers Productions) is the latest release from composer / pianist / producer, Lisa Hilton. Hilton and her longstanding band mates: Rudy Royston on drums, and Luques Curtis on bass, as well as JD Allen on tenor saxophone, had just finished the first half of their tour for their 2020 album, Chalkboard ...
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