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Top Ten Kennedy Center Musical Moments
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb: “I hate jazz." If you choose to engage them, the key is to tread lightly and tailor an approach that considers their tastes and sensibilities. This So You Don't Like Jazz column explores ways ...
Ulysses Owens: Big Band, Big Sound
by R.J. DeLuke
Some jazz drummers, as remarkable as they may be and as successful as their careers are, just aren't suited to drive a big band. It's not for every percussionist. But every big band needs a good one or the effort will fall short. A ship needs a rudder. Ulysses Owens Jr., who started beating out rhythms ...
Shai Maestro: Human, All Too Human
by Scott Krane
ECM recording artist and erstwhile pianist for bassist, Avishai Cohen, Shai Maestro is both a firebrand and a lightning rod. Human, his sixth record as leader and second for ECM, features Jorge Roeder on bass, Ofri Nehemya on drums, and, making his debut in Maestro's combo, Philip Dizack on trumpet. Creamy and richly layered, Human flirts ...
Harold Danko, Count Basie & James Brandon Lewis
by Joe Dimino
From the young and talented \ we begin the 704th Episode of Neon Jazz with a track off James Brandon Lewis's Live at Willisau done some years back, but released in 2020. We also look into some impressive singers & performers releasing new music including Shelly Rudolph and Emi Makabe. We also include some big band ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
Adam Kahan: Capturing the Essence of Jazz in a Film
by Victor L. Schermer
Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...
Rubén Blades: Salswing!
by Jim Trageser
In the liner notes to this recording, veteran Latin pop singer Rubén Blades explains that Salswing! is meant as a demonstrative statement: About his own ability to grow beyond being a Panamanian singer, to show that musicians can speak to an audience beyond their own nationality, and to celebrate the stellar chops of the Roberto Delgado ...
Bebop Bassist Will Lyle Readies Debut Album, 'l.A. Source Codes' Featuring 3 Generations Of Musicians
A source code is a piece of computer language that is readable by a human programmer. The talented young bassist-composer Will Lyle sees bebop and the jazz language as a musical source code that is kept alive by both the keepers of the flame and the younger players who push the music forward. Born in Southern ...
Jeremy Monteiro, Jay Anderson, Lewis Nash: Live At No Black Tie
by Ian Patterson
Forty-five albums in as many years represents remarkable consistency from pianist Jeremy Monteiro—Singapore's King of Swing. It is worth recounting that Monteiro has played with the likes of Charlie Haden, Benny Golson, Toots Thielemans, Cassandra Wilson, both Michael Brecker and Randy Brecker, James Moody, Eldee Young and, for over thirty years, with Ernie Watts. Oh yes, ...
