Results for "Composition"

Shay Hazan

Born: November 22, 1989

Bassist and composer Shay Hazan, based in Tel-Aviv, presents his latest group release with new reflections and directions. The band, two-horns strong and backed by the classic piano, bass and drums unit, continues to strike ripples in their near and farther surroundings. Only that in Hazan's case, backing does not mean hiding. His significant bass work carries the group into the magical realms of Gnawa music from Morocco, the new wave of Hip-Hop, and the 1960's Chicago Free Jazz and human rights movement, all these casts into a fresh blend of old and new flavours.

Clemens Grassmann

Born: March 2, 1991

“Grassmann uses modern and clever textures to point the music into a creative direction.” – Jazz Weekly Recipient of the 2015 Armand Zildjian Percussion Award, Berlin-born drummer Clemens Grassmann has collaborated across the U.S. and internationally, releasing multiple recordings as a leader to critical acclaim and peer recognition. His genre-defiant aesthetic stretches across generations and unites listeners of every sonic prerogative. The Berlin-born drummer, composer and educator has toured throughout the Southern United States as a member of the high-octane backbeat-driven project Swanky Tiger, whose recent EP Mechanical Nightmares received critical acclaim throughout the music blogosphere

Pavel Wlosok

Born: March 29, 1973

Czech born American pianist, composer, arranger, educator, music engineer, producer, and photographer Pavel Wlosok (*1973) started to play the piano when he was five years old. He received his classical education in piano performance and composition at the Janacek Conservatory of Music in OSTRAVA (1987 - 1993) in the classes of Mr. Zdenek Pecek and Mr. Igor Katajev, and at the Janacek Academy of Music (JAMU) in BRNO (1993 - 1995) in the class of Prof. Arnost Parsch (both Czech Republic). He obtained his bachelor and master degrees in jazz studies graduating cum laude at the University of North Texas (UNT) in DENTON, TX (1995 - 2000), where he studied composition with Prof

Pedro Melo Alves

Born: December 27, 1991

Pedro Melo Alves is one of the most prominent drummers and composers in the recent avant-garde music scene in Portugal. Explorer of the expanded possibilities of percussion, improviser, ambitious composer for small and large formations, his work is known for the exploratory attitude and for boldy intersectioning different aesthetic circuits from jazz and erudite, to electronic, experimental and rock music.

Having been awarded with multiple awards and nominations (Bernardo Sassetti Composition Award, Premio Internazionale Giorgio Gaslini, El Intruso Best Revelation Group), he's been increasingly present in the international music scene, presenting his projects in events such as Jazzahead (Germany), 12 Points Festival (Dublin), Europe Jazz Conference (Portugal), Saalfelden Jazz Festival (Austria), Ljubljana Jazz Festival (Slovenia), Suoni Per Il Popolo (Canada), Südtirol Jazz Festival (Italy) or Jazz em Agosto (Portugal).

Nicoló Ricci

Born: April 14, 1987

I was born in 1987 and I grew up in Sesto San Giovanni, an industrial town in the north of Milan, Italy. I was lucky enough to be brought up in a stimulating and creative family environment and soon I began to show interest towards music. By the age of 12 I received a saxophone as a gift from my mother and I started my studies, first in a local music school and then in the Conservatory G.Verdi of Milan. While still a student I threw myself into the jazz music scene of Milan and I began to perform throughout Italy.

During my career, I had the chance to play with great musicians such as:Steve Swallow, Adam Nussbaum, Jesper Bodilsen, Gerald Cannon, Paolino Dalla Porta, Antonio Zambrini, Roberto Gatto, Giovanni Falzone, Andrea Dulbecco, Pietro Tonolo, Tino Tracanna, Marco Vaggi, Achille Succi, Bebo Ferra, Giulio Corini, Alfonso Santimone, Francesco Lento, Harris Eisenstadt, Joe Fonda, Roberto Rossi, Roberto Cecchetto, Fausto Beccalossi, Greg Burk, David Binney, Reinier Baas, Ben Van Gelder, Mark Schilders, Bo van der Werf, Clemens van de Feen.

Maarten Ornstein

Maarten Ornstein is a Dutch musician based in Amsterdam. He plays tenor saxophone, clarinet and bass clarinet and also works as a composer and arranger. On occasion he plays tarogato, electric saxophone, MPC and laptop computers. He leads the free funk ensemble DASH! and performs as a soloist. Additionally, he plays with lutist Mike Fentross, singer Rima Khcheich, poet and singer Jeannine Valeriano. and pianist Sunna Gunnlaugs. Maarten Ornstein endorses Légère reeds and is a member of Splendor Amsterdam. Both in his paying and composing, Maarten Ornstein is always looking for new challenges, people to work with, rules to break and boundaries to cross

Mike Adcock

Born: May 17, 1950

Played in different and between genres, exploring aspects of jazz, blues, traditional music, experimental and free improv. Primarily a pianist I also play accordion, guitar and a variety of percussion, with a particular interest in musical stone. I have recordings released with various bands (including Accordions Go Crazy, Poorboys, Cadillac Kings, Wanderlust) and in collaboration with others (including Lol Coxhill, Sylvia Hallett, Clive Bell, Chris Cundy, Paul Jolly). More recent releases include "In the case of darkness" (33 Jazz), "Accord" (Linear Obsessional Recordings) "Sheffield" [Flying Down Trio] (Wavetable) and "Wanderlust" (Paper Label Records).

Composition

By Lindsey Boullt

Label: Self Produced
Released: 2007
Track listing: Page Revisited; Chasing the Whirling Dervish; Moving Panvishnu; Call for Peace; Bravo Davo de la Torre; Aurora's Aura; Groovin' with Stu; Taste the Hate; Farewell; Cleopatra's Third Eye.

Lindsey Boullt: Composition

by Glenn Astarita
December 9, 2007

San Francisco area guitarist and educator Lindsey Boullt has assembled an interesting support lineup on Composition that radiates an Indo-progressive rock musical plane. Former Santana percussionist Mingo Lewis and Mahavishnu Orchestra violinist Jerry Goodman assist with the ensemble's keen enactment of world music and power-lined progressive rock. Boullt's loud, chunka-chunka chord voicings ...