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Salvation through rhythm: Max Roach—The Drum Also Waltzes
by Peter Jones
Max Roach--The Drum Also Waltzes Directed by Sam Pollard and Ben Shapiro PBS American Masters2023 Anyone who enjoyed the recent Wayne Shorter documentary Zero Gravity might also dig this--a more conventionally structured but equally fascinating look at the life of Max Roach. Filmmaker and interviewer Sam Pollard began making it in ...
Eddie Higgins: Elegance And Confidentiality
by Daniele Trucco
This article was translated into English and was first published on meer.com.The story of a refined pianist, feted as a sideman by the greats of international jazz and an authentic star of the Japanese record scene.The Ascent I met pianist Eddie Higgins on three separate occasions--the first time was in 2006 at ...
A Fireside Chat With Tony Bennett
by AAJ Staff
This interview was first published on All About Jazz in September 2001. Tony Bennett hails from a period in Americana where style loomed larger than sustenance and men were less than men without a martini or scotch in one hand and a cigar or cigarette burning from the other. Those were the days. And ...
Talkin' Square Biz with Arkadia Prez Bob Karcy
by Chris M. Slawecki
This interview was first published at All About Jazz in October 1997. This past June, Bob Karcy, President and Founder of the award-winning V.I.E.W. Video company, announced the signings of Dave Liebman, Benny Golson and Billy Taylor to his newly-formed Arkadia Entertainment Corporation. “Just what the world needs, another jazz record label," ...
Sonny Stitt, Eugene Chadbourne and More
by Jerome Wilson
This episode covers a broad range of jazz from Sonny Stitt in full live cry to Eugene Chadbourne playing Eric Dolphy. In between those poles are Don Byron, Dizzy Gillespie, Sara Caswell, and a lot more. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
2023 American Pianists Awards
by Mark Sullivan
2023 American Pianists Awards Indianapolis, Indiana April 20-22, 2023 The mission of the American Pianists Association is “to discover, promote and advance the careers of young, American, world-class jazz and classical pianists." One of the major activities in that mission is the bi-annual competitions run by the Association, alternating classical and jazz ...
Martin Wind, Peter Weniger, Jonas Burgwinkel: Gravity
by Mark Corroto
There is a return to old-school fundamentals about the trio recording Gravity from bassist Martin Wind. The German-born, now New Jersey native reconnects with tenor saxophonist Peter Weniger whom he met in the German National Youth Orchestra more than three decades ago. The old friends invited fellow countryman and drummer Jonas Burgwinkel (of Pablo Held Trio) ...
Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard
by Ian Patterson
The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...
D.B. Shrier: D. B. Shrier emerges
by Mike Jurkovic
The provenance behind this full-bore blow out recorded in 1967 by Philadelphia tenor sax legend D.B.Shrier differs from most myths in the fact that we now have pure, full-blown proof of what a night in his company sounded like: A scorching combustion of energy, virtuosity and audience adulation. Originally released by Alfa Records in ...
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