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Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Randy Weston: Music of The Earth
by R.J. DeLuke
Pianist Randy Weston has long been known to be a student of his African heritage and proud of it. Born in Brooklyn, he has lived in Africa, been involved with musicians there--he has been involved with the entirety of its culture. An expert? I've lived there for years, man, and I know nothing," ...
Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense
by Victor L. Schermer
Part 1 | | Part 5 | Part 6[This is the first of an All About Jazz series of interviews and articles on The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has expanded in many directions. The business, educational, geographical, ...
Ike Quebec: Blue & Sentimental - 1962
by Marc Davis
Everyone loves a good comeback--especially if the second act is better than the first. Think of Tina Turner, Marlon Brando and George Foreman. Or tenor saxman Ike Quebec. Quebec isn't exactly a household name, but his seven Blue Note records are uniformly terrific, and Blue & Sentimental is among the best ever ...
Chad Lefkowitz-Brown: Onward
by Dan McClenaghan
Hot jazz saxophonists sharing the stage and/or recording booth with pop artists: Wayne Shorter collaborating with Joni Mitchell; Donny McCaslin breathing fire with David Bowie; and now, Chad Lefkowitz-Brown touring the world with Taylor Swift. Onward, Lefkowitz-Brown's sophomore CD release as a leader, touches on pop music with a robust reading of Stevie Wonder's Isn't She ...
Walter Smith III: Jazz Explorer
by R.J. DeLuke
Walter Smith stands straight when he raises his tenor sax to his mouth to embark on a solo, or play enthralling, serpentine, contrapuntal lines in unison with band mates like Ambrose Akinmusire. [Check out Confessions To My Unborn Daughter" from Akinmusire's When the Heart Emerges Glistening.] It's a muscular sound that emerged from his horn. Authoritative. ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Meet John Reilly
by Tessa Souter and Andrea Wolper
John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...
Remembering Milt Jackson
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...
Take Five with Mike Casey
by AAJ Staff
About Mike Casey Saxophonist, songwriter, and teaching artist Mike Casey has been a fixture on the Hartford jazz scene and beyond since 2011, when he began attending the acclaimed Jackie McLean Institute of Jazz at the University of Hartford's Hartt School. In 2015, Mike was one of 24 young jazz composers worldwide chosen by ...


