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Results for "Clifford Brown"
Sherri Roberts: Anybody's Spring
by Geannine Reid
Vocalist Sherri Roberts brings the joy and promise of new beginnings with twelve standards, that offer a spring theme with her 2017 release, Anybody's Spring. Selections come from the jazz compositions of Clifford Brown and Tadd Dameron to the standard and not-so-standard fare of Rodgers and Hammerstein, Hoagy Carmichael, and Blossom Dearie favorite Bob Haymes, the ...
Doug MacDonald: Jazz Marathon 2
by Jack Bowers
For those who thought that guitarist Doug MacDonald's happy-go-lucky jazz marathon had crossed the finish line with the release more than a year ago of Just for Fun, the good news is that MacDonald and his talented teammates have found their second wind and the marathon continues through a second effervescent two-CD session taped at the ...
Mn'JAM experiment: Live with a Boom
by Chris M. Slawecki
Can computers be programmed to improvise? That's just one of the questions you'll consider in response to Live with a Boom, the first multimedia presentation by Melissa Oliveira and João Artur Moreira (JAM) with other like-minded colleagues in the Mn'JAM experiment. You can trace the modern, global (perhaps post-modern, post-global) sound of Oliveira's ensemble ...
Take Five with Mike Casey
by AAJ Staff
About Mike Casey Saxophonist, songwriter, and teaching artist Mike Casey has been a fixture on the Hartford jazz scene and beyond since 2011, when he began attending the acclaimed Jackie McLean Institute of Jazz at the University of Hartford's Hartt School. In 2015, Mike was one of 24 young jazz composers worldwide chosen by ...
The Mark Masters Ensemble: Blue Skylight
by Jack Bowers
California-based composer / arranger Mark Masters, who has already recorded salutes to Clifford Brown, Jimmy Knepper, Dewey Redman, Steely Dan, the Gershwin brothers and even the Duke Ellington saxophone section, directs his attention and considerable talents this time around to the music of a pair of legendary jazz trend-setters who were in many respects polar opposites: ...
Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
The Mark Masters Ensemble: Blue Skylight
by Dan McClenaghan
Mark Masters has made his name in the banderleader/arranger arena fronting The Mark Master Ensemble, in various forms, with personal tributes to past masters: saxophonist Dewey Redman, Duke Ellington, trumpeter Clifford Brown, and present master, alto saxophonist Lee Konitz, who played as the featured artist on One Day With Lee (Capri Records (2000). These are all ...
Sometimes Jazz Takes Guts
by Chris M. Slawecki
Brownout Brownout Presents Brown Sabbath II Ubiquity Records 2016 Brownout bandleader and guitarist Adrian Quesada listened to a lot of different music, including blood-curdling heavy metal monsters Black Sabbath, while growing up in South Texas. Even while creating original music more reflective of their Mexican and American funk, ...
Al Muirhead: Northern Adventures
by Jack Bowers
When you've been a musician as long as Al Muirhead has, you not only earn many friends in the business, you also recognize who among them can play. For Northern Adventures, Muirhead's second album as leader of his own group, the eighty-one-year-old Canadian trumpeter assembled a who's who of the finest musicians his country has to ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
