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Chris Lightcap's Bigmouth: Epicenter
by Luca Canini
Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...
Chris Lightcap's Bigmouth: Epicenter
by Dave Wayne
Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...
Kris Davis Infrasound: Save Your Breath
by Vincenzo Roggero
Insolito l'Infrasound Octet allestito dalla pianista/compositrice/bandleader Kris Davis per la realizzazione di Save Your Breath: quattro grandi interpreti della famiglia dei clarinetti (Ben Goldberg, Oscar Noriega, Joachim Badenhorst e Andrew Bishop), le alchimie dell'organo di Gary Versace, la chitarra mutante di Nate Radley, la batteria proteiforme di Jim Black ed il pianoforte della stessa Davis. Insolita ...
Chris Lightcap's Bigmouth: Epicenter
by Budd Kopman
The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...
Various Artists: I Never Meta Guitar Three
by Glenn Astarita
Few would be more equipped to produce this series of various guitarists parading their avant-garde stuff other than New York City-based, and world-renown experimental guitar acolyte, Elliot Sharp. This third installment of the ongoing extravaganza showcases the far-flung imaginations of 18 artists, continuously pushing the envelope via a kaleidoscopic presentation sketched with unconventional acoustic-electric tone poems. ...
Chris Lightcap's Bigmouth: Epicenter
by Mark F. Turner
"Nine South" from New York bassist Chris Lightcap's Epicenter ignites the rhythm sense with its undeniable influence from West African music. Written as part of a commissioned work granted by Chamber Music America New Jazz Works, the piece was inspired by Lightcap's routine drive into Manhattan. Propelled by contagious hooks, fiery solos, and powerful harmonies, the ...
Zanussi 5: Live in Coimbra
by Vic Albani
Nato a Oslo nel 1977 ma con un papà che sicuramente norvegese non è (e che quasi sicuramente non ha nemmeno a che fare con il famoso marchio di costruttori di cucine italiche), l'energetico contrabbassista italo-norvegese ha avuto la buona idea di registrare i propri interventi live tenuti il 31 maggio e il 1° giugno 2013 ...
Chris Lightcap's Bigmouth: Epicenter
by Dan McClenaghan
The group is packed with some of the top stars of modern jazz, but it's with the collective and cohesive ensemble sound that bassist/composer Chris Lightcap's Bigmouth stands out. Hard-driving, electric, edgy, with a chip sitting firmly on its collective shoulders, Epicenter, Lightcap's ode to New York City, commissioned by Chamber Music America New Jazz Works, ...
Velkro: Don't Wait for the Revolution
by Vincenzo Roggero
In comune hanno un background profondamente radicato nel folklore della propria terra, poi poco altro. A cominciare dalla nazionalità -Bostjan Simon è sloveno, Stephan Meidell norvegese e Luis Candeias portoghese -proseguendo con gli interessi musicali che spaziano dall'hip hop al noise, dal rock alternativo all'elettronica e al jazz. La sfida di Velkro, questo ...
Chris Lightcap's Bigmouth: Epicenter
by Mark Corroto
Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another ...
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