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Universal Indians with Joe McPhee: Skullduggery
by Enrico Bettinello
Un po' di collegamenti e incroci. Il trio Universal Indians trae il proprio nome dal pezzo di Albert Ayler che chiudeva il disco Love Cry. Ispirarsi a Ayler -o comunque a quel momento storico e espressivo in cui il sassofonista si trovò a agire, insieme a John Coltrane, Ornette Coleman e soci... ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
Various Artists: I Never Meta Guitar Three
by Mario Calvitti
Il terzo volume della serie antologica curata da Elliott Sharp e dedicata alla chitarra del XXI secolo segue l'impostazione dei primi due, aggiungendo il contributo di altri 18 chitarristi. Come nel caso dei due precedenti, l'enfasi è dedicata all'esplorazione delle possibilità di generare nuove sonorità con una chitarra, acustica o elettrica, utilizzando tecniche per lo più ...
Dre Hocevar Trio: Coding Of Evidentiality
by John Sharpe
Slovenian-born, New York based drummer Dre Hocevar may not be a familiar name to many but that will likely change after Coding Of Evidentiality. Hocevar has convened a trio which sits comfortably in the lineage of the Portuguese Red Trio (who can be heard to good effect on Empire (No Business, 2011, Stem (Clean Feed, 2012) ...
Lama + Joachim Badenhorst: The Elephant's Journey
by Mark Corroto
The trio Lama, a regular working ensemble with Portuguese musicians, trumpeter Susana Santos Silva and double bassist Gonçalo Almeida, plus Canadian drummer Greg Smith should seriously consider becoming a quartet, with the permanent inclusion of Belgian clarinetist Joachim Badenhorst. The trio's music just feels more complete with their release The Elephant's Journey.Lama's first disc ...
Casa Futuro: Casa Futuro
by John Sharpe
At the juncture of free jazz and free improv sits the eponymous debut of Casa Futuro. In a truly co-operative trio, saxophonist Pedro Sousa joins forces with bassist Johan Berthling and drummer Gabriel Ferrandini. Portuguese improvisers Sousa and Ferrandini last combined with Sonic Youth frontman Thurston Moore on Live At ZDB (Shhpuma, 2014), while Berthling keeps ...
Universal Indians with Joe McPhee: Skullduggery
by John Sharpe
Throughout his career multi-instrumentalist Joe McPhee has always appeared remarkably open to collaborations with musicians from different scenes. Sometimes these blossom into more established groupings such as his regular hook ups with the Scandinavian power trio The Thing and more recently with the English improv outfit Decoy (witness Oto (Bo'Weavil, 2010) and Spontaneous Combustion (OtoRoku, 2014)). ...
Dre Hocevar Trio: Coding Of Evidentiality
by Mark Corroto
Given the title of drummer Dre Hocevar's recording, the question arises: can one classify or identify a system's disorder, i.e. entropy? The liner notes give us a hint. Laurence Donohue-Greene writes, this trio of Hocevar, pianist Bram De Looze and cellist St.Louis, “develop each improvisation compositionally and with tenacious unity." I suspect, when there is human ...
Kris Davis Infrasound: Save Your Breath
by Glenn Astarita
Nascent New York-based pianist, composer Kris Davis presents a musical journey that may be akin to navigating through a dense forest via snaking trails, rolling hills and dusky caves. With a first-class supporting cast , the pianist's comprehensive works emphasize her luminous imaginative powers. Several movements are fashioned with cascading horns passages, supple deviations and variable ...
Hugo Carvalhais: Grand Valis
by Jakob Baekgaard
What happens when modern composition meets jazz in a science fiction universe? The answer is Grand Valis by Portuguese bassist and composer Hugo Carvalhais. Carvalhais tackles the great universal questions of meaning in a musical language. Titles like “Exegesis," “Logos" and “Decoding Maya" point towards the philosophical nature of the music. Carvalhais plays ...
