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7

Article: Album Review

Kaja Draksler Octet: Gledalec

Read "Gledalec" reviewed by John Sharpe


Slovenian pianist Kaja Draksler mines musical forms from much of the last century and beyond for her two CD collection Gledalec. This Octet date constitutes a departure from her more widely distributed work to this point, represented by the impressive solo performance The Lives Of Many Others (Clean Feed, 2013) and the intimate duet This Love ...

102

Article: Album Review

Platform: Flux Reflux

Read "Flux Reflux" reviewed by Glenn Astarita


French clarinetist Xavier Charles along with three inventive Norwegian instrumentalists acutely align their imaginative powers amid a curiously interesting soundstage, steeped in free-form minimalism, ambience, layered tonal shadings and so on. Fractured storylines, along with oddball tunings and Charles' multidimensional phrasings and acoustic effects may fake the listener into thinking the program contains electronics ...

4

Article: Album Review

Rova Saxophone Quartet: Steve Lacy’s Saxophone Special Revisited

Read "Steve Lacy’s Saxophone Special Revisited" reviewed by Mark Corroto


If you own a copy of the original Saxophone Special (Emanem, 1975), flip the LP over to view a photocopy of Steve Lacy's original notebook (with spiral binding) score of the compositions “Staples," “Swishes," and “Snaps." This is all music he performed at Wigmore Hall in London in December 1974 in a saxophone quartet that included ...

12

Article: Album Review

Michael Attias: Nerve Dance

Read "Nerve Dance" reviewed by John Sharpe


Like many, Michaël Attias cultivates multiple outlets for his vibrant alto saxophone. Having moved to NYC in 1994, Attias is now inescapably associated with that city's downtown scene. What unites his Quartet with his other outfits like Renku and Spun Tree is quality. In part that's down to the variety and imagination of the frameworks Attias ...

82

Article: Album Review

Jonah Parzen-Johnson: I Try To Remember Where I Come From

Read "I Try To Remember Where I Come From" reviewed by Glenn Astarita


Originally from Chicago, baritone saxophonist Jonah Parzen-Johnson calls Brooklyn, N.Y. home these days but absorbed the creative spirit resident in the Windy City's progressive jazz legacy early on his career, studying and performing with some of the best. For example, he learned a great deal under the tutelage of woodwinds master Mwata Bowden, who is a ...

10

Article: Album Review

Harris Eisenstadt: On Parade In Parede

Read "On Parade In Parede" reviewed by John Sharpe


In Italian writer Antonio Tabucchi's acclaimed 1994 novel Pereira Maintains, a critical turning point comes during the central character's stay in the spa town of Parede in Portugal. It's not too much of an exaggeration to suggest a similar advance for drummer Harris Eisenstadt's Canada Day in a live date from the same locale. Usually a ...

85

Article: Album Review

Angelica Sanchez: Float The Edge

Read "Float The Edge" reviewed by Glenn Astarita


Here, New York City-based pianist Angelica Sanchez employs the herculean rhythm section of Michael Formanek (bass) and Tyshawn Sorey (drums) and is the follow-up to her duet outing with renowned trumpeter, composer Wadada Leo Smith, Twine Forest (Clean Feed, 2014). Sanchez can be quite cerebral and is irrefutably focused while also showing a penchant ...

13

Article: Album Review

Angelica Sanchez: Float The Edge

Read "Float The Edge" reviewed by John Sharpe


Pianist Angelica Sanchez has become an in demand side person since her move to NYC from Arizona in 1995, performing with Wadada Leo Smith, Tony Malaby, Kevin Norton, Harris Eisenstadt, and Susie Ibarra, among many others. But her own leadership discography remains slighter than might be expected. Surprisingly Float The Edge represents her first entry as ...

7

Article: Album Review

Motif: My Head Is Listening

Read "My Head Is Listening" reviewed by John Sharpe


Formed in 1998, Norwegian sextet Motif celebrates its sixth release with My Head Is Listening and its second on Clean Feed following Art Transplant (2011). Bassist Ole Morten Vågan, who co-founded the outfit with reedman Atle Nymo, is once again responsible for all seven compositions. As well as Motif, he boasts some heavyweight credits with Joshua ...

20

Article: Album Review

Rob Mazurek: Rome

Read "Rome" reviewed by Karl Ackermann


Rob Mazurek has long been entrenched in his eclectic, global and multi-media creative sphere making it easy for listeners to forget his musical roots. With his 1994 leader debut, Man Facing East (Hep Records), he had already shown signs of breaking with convention, particularly on the title track of that album. The electro-acoustic cornet and keyboard ...


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