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Album

Fuhuffah

Label: Clean Feed Records
Released: 2009
Track listing: 1. Fuhuffah - 7:53; 2. Shape - 8:21; 3. Hangman (Traditional) - 8:53; 4. Metaphor - 5:43; 5. Open (Levin/Haker-Flaten/Cleaver) - 9:25; 6. Woods - 8:01; 7. Wiggle - 11:58. Tutte le composizioni sono di Daniel Levin.

Album

Zul Zelub

Label: Clean Feed Records
Released: 2009
Track listing: 1. Zul 1 - 8:43; 2. Zul 2 - 11:05; 3. Zul 3 - 8:51; 4. Zul 4 - 6:06; 5. Zul 5 - 10:28; 6. Zelub 1 - 8:01; 7. Zelub 2 - 6:01; 8. Zelub 3 - 9:13; 9. Zelub 4 - 6:54. Tutte le composizioni sono di Jorge Lima Barreto.

Album

Live in Coimbra

Label: Clean Feed Records
Released: 2009
Track listing: 1. Yakiniku - 07:58 ; 2. Russian T – 05 :53; 3. No Longer – 09 :37; 4. In Motian – 06 :02; 5. Cocoon – 07 :28; 6. Pizza Girl - 12 :00; 7. Mister Barista - 10:02. Tutte le composizioni sono di Fredrick Nordstrom tranne "Cocoon" di BjorGudmundsdottir e Thomas Knak.

Article: Album Review

Lucky 7s: Pluto Junkyard

Read "Pluto Junkyard" reviewed by AAJ Italy Staff


Un po' Chicago, un po' New Orleans. Sono in sette, si fanno chiamare Lucky 7s e il qui recensito Pluto Junkyard, pubblicato dalla benemerita Clean Feed, è il loro secondo CD all'attivo (il primo, Farragut, è uscito per la piccola Lakefront Digital, praticamente roba da carbonari). Un po' Chicago e un po' New Orleans, si diceva, ...

281

Article: Album Review

Empty Cage Quartet: Gravity

Read "Gravity" reviewed by Troy Collins


Widely admired for its intricate mathematical construction, the Mayan calendar is far more than just a lightning rod for misguided prophets predicting the end of the world; it is also the source of inspiration for Gravity, the fourth studio recording from the young West Coast-based Empty Cage Quartet. The album consists of two extended compositions, which ...

348

Article: Album Review

Tony Malaby's Apparitions: Voladores

Read "Voladores" reviewed by Troy Collins


New York-based tenor saxophonist Tony Malaby's seventh album as a leader, Voladores, is named after the visually stunning Mexican dance troupes he saw while growing up in Tucson, Arizona. Inspired by their celebratory rhythmic fervor, he employs a dynamic dual drummer-based quartet on this date, revisiting the heavily percussive line-up of his 2003 sophomore release, Apparitions ...

Article: Album Review

Samuel Blaser: Pieces of Old Sky

Read "Pieces of Old Sky" reviewed by AAJ Italy Staff


Il secondo album in quartetto di Samuel Blaser definisce in modo nitido il lavoro del giovane trombonista svizzero, che già aveva calamitato l'attenzione con il primo disco a proprio nome, 7th Heaven, con il formidabile Solo Bone, dove ha ribadito doti non comuni di solista, e lo stimolante Yay in duo con l'esuberante Malcolm Braff. Blaser ...

336

Article: Album Review

Michael Attias: Renku In Coimbra

Read "Renku In Coimbra" reviewed by Martin Longley


Within the realms of his Renku trio, the reed specialist Michaël Attias deliberately glides towards a contemplative space. His partners in sensitivity are bassist John Hébert and drummer Satoshi Takeishi. In this setting, Attias deliberately confines himself to the alto saxophone, although his sonic results are anything but self-shackled. Often, when Attias is playing around the ...

Article: Album Review

Charles Rumback: Two Kinds of Art Thieves

Read "Two Kinds of Art Thieves" reviewed by AAJ Italy Staff


Che la scena creativa di Chicago sia ricchissima di talento è un fatto piuttosto risaputo, anche se non va dimenticato che da sempre la Windy City ha trovato anche in giornalisti, associazioni e etichette di tutto il mondo un'attenzione sempre viva: ne è un esempio questo disco della portoghese Clean Feed a nome del batterista Charles ...

239

Article: Album Review

Herculaneum: Herculaneum III

Read "Herculaneum III" reviewed by Nic Jones


In some respects what we have here is music that's a step on from Jimmy Giuffre's work in the 1950s, but if it's the chamber music notion that unites the two bodies of work across the intervening half-century, it's clear that this band marches to a rhythmically more vigorous aesthetic. The music is at times alive ...


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