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Duke Ellington And His Orchestra: The Treasury Shows Vol. 25

by Chris Mosey
Storyville Records, based in Copenhagen, have now completed the Herculean task of re-releasing all the Duke Ellington Treasury Show albums on CD. These are recordings of broadcasts made for the US Treasury Department from 1945 to 1953, to promote the sale of war bonds, often with plugs by Ellington himself, a staunch patriot. Volume 25 is ...
Duke Ellington: Duke Ellington In Coventry

by Chris Mosey
During World War Two, the Germans rained tons of high explosives, including parachute air-mines and incendiary petroleum mines on the English city of Coventry. In addition to factories supporting the British war effort, they destroyed the city's emblematic cathedral. Joseph Goebbels, Hitler's Minister of Propaganda, took to using Coventry" as a synonym for mass destruction. Enemy ...
Diogo Vida: El Duende

by Chris Mosey
El Duende derives from the duende of Spanish mythology, an elf or magic creature. When the term is used in connection with music, especially flamenco, it means having soul," something that gives you chills, makes you smile, or even cry, in response to an artistic performance. The Spanish poet Federico Garcia Lorca described it thus: The ...
B's Bees: Kanata

by Chris Mosey
B's Bees, from Montreal, Canada, led by drummer Brandon Goodwin, are a class act, a beacon of hope for the future of jazz. Kanata, title of their third album, is the Iroquois Indian word for village," from which derives Canada. The first four numbers make up the Kanata Suite," a powerful statement of ...
Paula Rae Gibson/Sam Leak: Permission

by Chris Mosey
Paula Rae Gibson is a London-based artist who expresses the emotional pain she feels through poetry, photography and--in this collaboration with pianist Sam Leak--music. Music? Well, there's rhythm of sorts and plenty of heavy, dark chords to underpin a multitude of heavy, dark words. Gibson's grainy, distorted sepia photos on the cover appear ...
Christina von Bülow: On The Brink Of A Lovely Song

by Chris Mosey
American saxophonist Lee Konitz first toured Scandinavia in 1961, his wonderfully original saxophone playing leaving a lasting impression on, among many others, an aspiring Danish alto player, Christina von Bülow. Konitz, who played on the classic Gil Evans/Miles Davis Birth Of The Cool session, is now in his nineties. It is to be ...
Peter Madsen: Never Bet The Devil Your Head

by Chris Mosey
Close study of the only existing daguerréotype of American author Edgar Allan Poe (1809--1849) reveals that he bore an extraordinary resemblance to British comedian John Cleese on a bad hair day. Could this be why, despite his many accomplishments, the modern world has trouble taking Poe seriously? Jazz pianist/composer Peter Madsen has no ...
Hank Jones: In Copenhagen - Live at Jazzhus Slukefter 1983

by Chris Mosey
Hank Jones' pianistic style was born out of a fusing of Harlem stride piano with the virtuoso approach of Art Tatum and the harmonic daring of bebop. Jones played with just about everyone in a long and illustrious career but remained modest concerning his musical achievements. When French journalist Francis Marmande, interviewing him in 2010, suggested ...
Kathrine Windfeld Big Band: Black Swan

by Chris Mosey
Do opposites really attract? Danish big band leader Kathrine Windfeld's compositions are meticulously worked out in advance, whereas saxophonist Thomas Agergaard, her collaborator on this gig, takes a different, more spontaneous approach. Thomas writes quite differently than I do," says Windfeld. He thrives on the energy of the moment. This is beneficial to ...
Joao Barradas: A New Place For The Accordion In Jazz?

by Chris Mosey
In the 1940s Art van Damme swung sweetly on the accordion with cover pictures of beautiful girls sipping cocktails. Then, in the 1950s, the ebullient Angelo DiPippo introduced the instrument to hipsters at the Newport jazz festival before going on to play in the wedding sequence of the first Godfather movie.